“Indispensable” is a series that asks the de Young’s Artists in Residence to describe a tool that’s essential to their work.
“I cut myself all the time. She never does.”
Anne Getts, Mellon Assistant Textiles Conservator
On the Grid: Textiles & Minimalism, currently on view in the Textiles Gallery at the de Young, presented the textile conservation lab with a variety of mounting challenges. Among these challenges was determining the ideal way to display a dip-dyed and hand painted Moroccan woman’s headcover, or adghar ibrdane tasslit, with a bulky tassel located at each of the four corners.
Along with a passion for California and the West Coast, a key theme in Ed Ruscha's work and Ed Ruscha and the Great American West is the abundance and playfulness of words. Throughout his career, Ruscha experimented with words, song lyrics and sayings, even filling notebooks with them and waiting for the moment that the temperature of a word becomes "really hot."
Wild West: Plains to the Pacific, now open at the Legion of Honor, includes a spectacularly large photograph from the Museums’ collection, taken by Howard Clinton Tibbitts (1863–1937). Tibbitts was a San Francisco–based photographer who documented the American West for the Southern Pacific Railroad’s magazine Sunset, still published today. This photograph from 1899 depicts members of the U.S. Cavalry’s Troop F, who were charged with the protection of Yosemite from 1883 until 1916.
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