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The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk

Herbst Exhibition Galleries
March 24, 2012August 19, 2012

Dubbed fashion’s enfant terrible, Jean Paul Gaultier launched his first prêt-à-porter collection in 1976 and founded his own couture house in 1997. Emerging as a designer in the 1970s, he developed his own dress codes that reflected the changing world around him. The openly gay Gaultier uses his designs to tackle gender and transgender issues through androgynous, gender-bending styles, meanwhile delving even further into some of the darker areas of the sexual revolution. Always provocative, he addresses issues of multiculturalism by bringing ethnic diversity to the Paris runway.

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Ticket Information 

Day-of tickets are only available in person at the museum.

Adults $20, seniors 65+ $17, students with current ID $16, youths 6–17 $10, members and children 5 and under free.

Visitors are strongly encouraged to purchase tickets in advance. Tickets are neither refundable nor exchangeable.

Groups of 10 or more have access to priority booking and private tours. Contact the group sales office at groupsales@famsf.org or 415.750.3620.

The Exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk is organized by the Montreal Museum of Fine Arts in collaboration with the Maison Jean Paul Gaultier. JoliCoeur International is the official supplier of mannequins for the exhibition.

Lead Sponsor

Nordstrom

Sponsors

Suzy Kellems Dominik
Yurie and Carl Pascarella
Christine Suppes

Supporting Sponsors

Academy of Art University, Dr. Elisa Stephens, President
Beauté Prestige International
Paula and Bandel Carano
Lisa and Douglas Goldman
Emma and Fred Goltz
Marissa Mayer and Zachary Bogue
Mary Beth and David Shimmon
Lonna Wais
Diane B. Wilsey

Couture Circle

Ramune Ambrozaitis
Rosemary Baker
Sloan and Roger Barnett
Anne Waterman Bassin and Darin Bassin
Richard Beleson and Skye Drynan
Mr. Riccardo Benavides
Joy Venturini Bianchi
Carol and Shelby Bonnie
Barbara Brown
Victoire and Owsley Brown
Lorna Meyer Calas
Dr. Carolyn Chang
Juliet de Baubigny
Susan Dunlevy
Milbourne Finley and Thomas Mowery
Richard Fullerton and Elizabeth Pang Fullerton
Vanessa Getty
Angelique Griepp
Lucy and William Hamilton
Katherine Harbin
Laure Fullerton Headrick and Chris C. Headrick
Beth Izmirian
Roxanne and Michael Klein
Mr. and Mrs. Garland M. Lasater III
Carson and Suzanne Levit
Amanda Michael and Michael Harrington
Ann Ferrell and Steve Millham
Dennis M. Myatt III
Deepa Pakianathan
Carol Parker
Stephanie Petit
O. J. and Gary Shansby
T. Peter Thomas and Jacqueline Stewart
Pasha and Laney Thornton 
Becca Cason Thrash 
Dorothy Torresi
Trevor and Alexis Traina
Gwynned Vitello
Elizabeth W. Vobach
Summer Tompkins Walker
Mrs. Julienne Weston and Mr. T. Kevin Coker
Lisa and James Zanze

Hotel Partner

The Fairmont San Francisco

Media Sponsor

San Francisco Magazine

The Fashion World of Jean Paul Gaultier

Left: Paolo Roversi, Tanel Bedrossiantz, 1992. Barbès collection. Women’s prêt-à-porter fall/winter 1984–1985. Digital print © Paolo Roversi. Center: Jean Paul Gaultier. Fishnet tights, Parisiennes collection, haute couture fall/winter 2010-2011© Patrice Stable/Jean Paul Gaultier. Right: Photo by Jerry Pigeon (Studio JPG)

Surface Tension: Contemporary Prints from the Anderson Collection

July 30, 2011January 22, 2012

In an era of modern and postmodern art that is often concerned with expressing its essential qualities of flatness and depthlessness, some artists engaged in making prints at fine arts presses have headed in a different direction. Rather than embrace the smooth, flat finish that can be achieved through print processes like screenprinting and lithography, these artists have manipulated the dimensionality of their works on paper, literally pushing their paper surfaces to new heights.

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Ed Ruscha Dog

Edward Ruscha (American, b. 1937) Dog, 1995. Mixografia on handmade paper, 27 1/4 x 38 1/2 inches. 2000.28

The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection

September 10, 2011July 29, 2012

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Major Sponsors

Francesca Passalacqua and D. E. Hardy
Turkish Cultural Foundation—Natural Dye Research and Development Laboratory
DATU

Lead Sponsors

George Hecksher
S. Peter Poullada and Nancy Sheppard
San Francisco Bay Area Rug Society

Sponsors

Bruce P. and Olive W. Baganz
Board of the Textile Arts Council
Dr. Donald Breyer
Mary F. Connors
Levon Der Bedrossian
Thomas Murray Asiatica—Ethnographica
Yvette Rogers

Support for the exhibition is also provided by the H. McCoy Jones Trust.

Kilim

Kilim, 18th century, Turkey, Anatolia. Wool, cotton; slit tapestry weave. 56  x 138  inches. The Caroline and H. McCoy Jones Collection. Gift of Caroline McCoy-Jones

Marco Breuer: Line of Sight

April 2, 2011October 2, 2011

Marco Breuer is one of the most innovative contemporary artists working in photography today. He is well known for using an extensive range of processes to extract abstract and visually compelling images from photographic materials. Line of Sight comprises a selection of photographs made by Breuer and placed in dialogue with objects from the de Young’s permanent collection.

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Marco Breuer: Line of Sight is organized by the Fine Arts Museums of San Francisco in cooperation with Von Lintel Gallery, New York. The exhibition is part of the Collection Connections program of Cultural Encounters, made possible by a generous gift from the Annenberg Foundation.

Marco Breuer: Line of Sight

Left: Spin (C-818), 2008. Chromgenic paper, exposed/embossed/abraded. 10 13/16 x 8 1/2 inches. Center: Untitled (Study for Tremors), 2000. Silver gelatin paper, burned. 18 x 14 inches. Right: Untitled (E-30), 2005. Cyanotype on Fabriano paper, exposed. 13 1/16 x 9 3/4 inches. All images © Marco Breuer and courtesy of Von Lintel Gallery, New York.

Rupert Garcia: The Magnolia Editions Projects 1991–2011

February 19, 2011July 17, 2011

Renowned Bay Area artist Rupert Garcia is committed to creating artwork not only as a means of achieving aesthetic ends, but also as a viable way of addressing social and political concerns. Through his bold silkscreens and layered pastels and paintings, Garcia catalyzes discussion and debate in a broad audience about the pressing issues that have faced the late 20th and early 21st centuries. His recent editions elaborate on his political concerns, as well as addressing his interest in challenging notions of folk and high art.

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Obama from Douglass, 2010. Pigmented inkjet. Printed and published by Magnolia Editions Inc., Oakland. Courtesy of the artist and Magnolia Editions.

Bouquets to Art 2012

March 13, 2012March 17, 2012

Celebrate spring at the de Young, when Bouquets to Art, the glorious annual floral exhibition and fundraiser, returns March 13–17, 2012.

The five-day event, produced by the San Francisco Auxiliary of the Fine Arts Museums, features designs by 150 innovative floral designers, who create displays that pay tribute to and draw inspiration from the de Young’s permanent art collection.

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