The artist Frida Kahlo (Mexican, 1907–1954) is today an iconic figure, known as much for her path-breaking artwork as for her striking appearance. Kahlo began to paint while recovering from a near-fatal bus accident in 1925, which left her with lasting medical complications, disabilities, and chronic pain. Kahlo famously married the Mexican muralist Diego Rivera (1886–1957) in 1929. Their union was unconventional and tumultuous—they divorced in 1939 and remarried thirteen months later in San Francisco. Throughout, they shared a deep devotion to art, to Mexico and its multifaceted cultures, and to revolutionary politics. Many of Kahlo’s approximately 200 paintings explore her complex identities and engage themes of disability, gender, and politics. Her paintings elude definition. Sometimes associated with Surrealism, Kahlo herself resisted that categorization, stating that her paintings were “the frankest expression of [her]self.” Upon her death in 1954, at the instruction of Rivera many of her personal possessions were locked away in La Casa Azul—the home where she was born, lived most of her life, and died. Today, La Casa Azul—located in Coyoacán, Mexico City—houses the Museo Frida Kahlo, where in 2004 the remarkable trove of items that had been hidden away fifty years earlier came to light. Drawings, documents, dresses, accessories, and Kahlo’s colorful self-fashioned outfits from this trove—along with select paintings by Kahlo and items from the Fine Arts Museum of San Francisco—are the heart of this exhibition.
Through July 27
Through July 27
Frida Kahlo: Appearances Can Be Deceiving
The de Young and Legion of Honor are temporarily closed to the public. Frida Kahlo: Appearances Can Be Deceiving, previously scheduled to open on March 21, will be delayed in opening until we can safely welcome gallery visitors. We will share our plans to reopen in the coming weeks. Learn more about our response to the coronavirus (COVID-19) in the San Francisco Bay Area.
At the time of Frida Kahlo’s death in 1954, a treasure trove of the artist's highly personal items—including jewelry, clothing, and prosthetics—were locked away. 50 years later, these belongings were unsealed—now they’re on view for the first time on the West Coast. Discover what these objects reveal about their now iconic owner in Frida Kahlo: Appearances Can Be Deceiving.
This exhibition originated in the extensive investigation of Frida Kahlo’s personal belongings found in trunks, wardrobes, drawers, bathrooms, and cellars of La Casa Azul that had remained closed for over fifty years before being exhibited for the first time at the Museo Frida Kahlo (2012–2014) and later presented at the V&A London. Presenting Sponsors: John A. and Cynthia Fry Gunn and Diane B. Wilsey. Major Support provided by The Harris Family; The Bernard Osher Foundation and The Michael Taylor Trust. Significant Support provided by the Ray and Dagmar Dolby Family Fund. Generous Support provided by Janet Barnes and Thomas W. Weisel Family; George and Marie Hecksher. Additional Support is provided by Susie and Fred Harburg in memory of Zvi Ankori; Alec and Gail Merriam; and Paul A. Violich. With special thanks to the Banco de México Diego Rivera and Frida Kahlo Museums Trust; its Technical Committee and its president Carlos García Ponce; general director Carlos Phillips Olmedo; ADABI and its president Isabel Grañen Porrúa; Mr. Alfredo Harp Helú; and Hilda Trujillo, Perla Labarthe, Laura Zavala, Xochiquétzal González, Claudia Romo, Luanda López, Circe Henestrosa, and the researchers who participated. With special thanks to the Instituto Nacional de Bellas Artes y Literatura and the Instituto Nacional de Antropología e Historia.