Balenciaga and Spain Symposium
This event is expired.
This symposium will examine the themes of the special exhibition Balenciaga and Spain: the power of the Spanish imagination and of its cultural and artistic history on the work of one of the 20th century's greatest designers, Cristóbal Balenciaga.
Hamish Bowles, "Balenciaga and Spain: Cristóbal Balenciaga and the Power of the Spanish Identity"
Hamish Bowles, fashion journalist, is the European editor at large for the American edition of Vogue. A graduate of the Saint Martin's School of Art and Design, Bowles worked as a fashion editor and style director for Harpers and Queen from 1984 until 1992. He joined Vogue in 1992. Bowles is author and co-author of several books including Vogue Living: Houses, Gardens, People; Philip Treacy: “When I Met Isabella”; and Carolina Herrera: Portrait of a Fashion Icon. He also served as curator for the landmark exhibition Jacqueline Kennedy: The White House Years and as guest curator for Balenciaga and Spain.
Miren Arzalluz, "Cristóbal Balenciaga. The Making of the Master (1895–1936)"
Miren Arzalluz studied History at the University of Deusto (Spain) and Comparative Politics at the London School of Economics before specializing in the history of dress and fashion at the Courtauld Institute of Art. After working in various British museums, such as the V&A and Kensington Palace, she became curator at the Balenciaga Foundation in 2007. Her research covers the history of fashionable dress on the 20th century with particular emphasis on the life and work of Balenciaga. She has recently published the book Cristóbal Balenciaga. La Forja del Maestro (1895–1936), which focuses on the life and professional development of Balenciaga before establishing his haute couture house in Paris, and she is currently working on the permanent exhibition and catalogue of the new Balenciaga Museum project in Getaria, the couturier´s hometown.
Lourdes Font, "Austere Splendor: Balenciaga's Legacy of Spanish Court Costume"
This talk is a survey of costume at the Spanish court from the late 15th c. to the late 18th c. as seen in royal and aristocratic portraits, making connections with surviving garments and accessories and tracing the influence of this legacy on Balenciaga's designs.
Lourdes Font is associate professor in the department of History of Art and in the M.A. program for Fashion and Textile Studies at the Fashion Institute of Technology. Among her recent publications are Fashion and Visual Art. Font is the co-editor of and contributor to the Grove Dictionary of Art Online. She has also contributed articles and essays to West 86: A Journal of Decorative Arts, Design History, and Material Culture, to the Cooper-Hewitt Museum’s exhibition catalogue Fashion in Colors, and to Fashion Theory.
Pamela Golbin, "10 Avenue George V, Paris"
Pamela Goblin, chief curator of the Musée de la Mode et du Textile at the Louvre in Paris, is an internationally renowned figure in the fashion industry with extensive historical knowledge of cultural and design issues. She is a leading expert in contemporary fashion and has organized landmark exhibitions worldwide. Ms. Golbin has organized more than fifteen exhibitions, including major retrospectives on iconic fashions legends such as Balenciaga and Valentino. Her latest exhibition was an award-winning retrospective of Madeleine Vionnet.
Tickets do not include admission into the galleries, nor is museum admission required. Special exhibition admission required to visit Balenciaga and Spain (free for members).