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Danny Lyon: Message to the Future

Galleries 11–14
November 5, 2016April 30, 2017

Danny Lyon: Message to the Future is the first comprehensive retrospective of the career of Danny Lyon (American, b. 1942) to be presented in 25 years. The exhibition is organized by the Fine Arts Museums of San Francisco and premiered at the Whitney Museum of American Art, New York, in summer 2016 before its San Francisco debut.

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Ticket Information 

Entry to this exhibition is included with general admission to the museum.

Adults $15, seniors 65+ $10, students with current ID $6, members and youth 17 and under free. Prices subject to change without notice.

This exhibition is organized by the Fine Arts Museums of San Francisco in collaboration with the Whitney Museum of American Art, New York. Presenting Sponsor: Anonymous. President’s Circle: The Andy Warhol Foundation for the Visual Arts. Patron’s Circle: Anonymous.

The catalogue is published with the assistance of the Andrew W. Mellon Foundation Endowment for Publications.

Danny Lyon, "Tesca, Cartagena, Colombia," 1966

Danny Lyon, Tesca, Cartagena, Colombia, 1966. Cibachrome, printed 2008. Collection of the artist. © Danny Lyon, courtesy Edwynn Houk Gallery, New York

Danny Lyon: Message to the Future

Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthistorisches Museum, Vienna

October 29, 2011February 12, 2012

Masters of Venice: Renaissance Painters of Passion and Power is a worldwide exclusive presentation of 50 paintings by Venetian painters Titian, Giorgione, Veronese, Tintoretto, Mantegna, and more, primarily from the sixteenth century, all on loan from the Gemäldegalerie of the Kunsthistorisches Museum in Vienna. Featured are outstanding examples of the work of these artists that were collected by the archdukes and emperors of the Habsburg family, which are among the most celebrated holdings in the collections of the Gemäldegalerie.

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This exhibition is organized by the Fine Arts Museums of San Francisco in collaboration with the Gemäldegalerie of the Kunsthistorisches Museum, Vienna.

Major Patron

Penny and James George Coulter
San Francisco Auxiliary of the Fine Arts Museums

Patrons

Athena and Timothy Blackburn
William G. Irwin Charity Foundation

Sponsors

T. Robert and Katherine Burke
Samuel H. Kress Foundation
Mrs. James K. McWilliams
Greta R. Pofcher

Education programs presented in conjunction with the exhibition are sponsored by Wells Fargo and the S. D. Bechtel, Jr. Foundation.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Wells Fargo

Donald Judd and Sol LeWitt: Conceptual Color in Print

October 17, 2009March 8, 2010

Donald Judd was a major figure in the Minimalist art movement in the 1960s when he and others sought to create a depersonalized art in which the physical properties of space, scale, and materials were explored as phenomena of interest on their own. Judd’s use of color in three print series dating from 1988 to 1993 are on view along with a recent acquisition, Untitled (1993). Judd’s prints are compared and contrasted with prints by his peer, Sol LeWitt.

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Art and Power in the Central African Savanna

June 20, 2009October 12, 2009

This exhibition explores the political and religious power of nearly 60 sculptures created by artists of four Central African cultures: the Luba, Songye, Chokwe, and Luluwa. Carved primarily from wood, these power figures act as containers for magical organic ingredients and serve purposes both religious and political. According to traditional beliefs, the figures mediate between the human and spirit worlds to insure a healthy birth, successful hunt, or triumph over an enemy. A fully-illustrated catalogue by leading expert Constantine Pedridis accompanies the exhibition.

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Birth of Impressionism: Masterpieces from the Musée d’Orsay

May 22, 2010September 6, 2010

Birth of Impressionism: Masterpieces from the Musée d’Orsay puts forth nearly 100 works by the famous masters who called France their home during the mid-19th century and from whose midst arose one of the most original and recognizable of all artistic styles, Impressionism.

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Birth of Impressionism
Left: James Abbott McNeil Whistler, Arrangement in Gray and Black No. 1; Portrait of the Artist’s Mother, 1871. Center: Édouard Manet, The Fifer (detail), 1866. Right: Edgar Degas, The Dancing Lesson (detail), 1873-1876. All photos ©RMN (Musée d’Orsay)/Hervé Lewandowski

Flash Mob (Love-in): "Hug, Kiss, or Dance" with Wikilove

Keith Haring, Three Dancing Figures, 1989
February 11, 2017 -
12:00pm12:05pm

Come with your lover, friends, old man - or just meet a complete stranger - and share a public display of affection in front of the Keith Haring’s Three Dancing Figures installation. If you hug, kiss or dance there, it would be Instant Karma! Bring somebody to love and share a moment of joy! Put on something red and join us promptly at noon.

Musical accompaniment by Alisa Rose, fiddle. Our moment of love will begin and end as the song begins and ends.

Collectible One Love Buttons

Claes Oldenburg (b. 1929) and Coosje van Bruggen (1942–2009),Corridor Pin, Blue, 1999
February 11, 2017 -
12:00pm5:00pm

Collect and wear buttons inspired by the ideas of One Love and designed by Annelise Salgado and celebrate art, love, tolerance, community, expression, meaning, inclusion, and passion. Find a teaching artist in the galleries to collect your buttons.

Tolerance and Solidarity: Meet at Claus Oldenburg's Corrider Pin in the Sculpture Garden to share ways that you can be a safe haven for victims of hate and violence or how we can create safer communities. Collect your "tolerance" button.

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