Guest Lecture: "Blind Self-Portraits: What Artists with Visual Impairments Tell Us about Visual Art," by Georgina Kleege
Claude Monet, "Water Lilies, Willow Reflection," 1916–1919. Oil on canvas, 78 3/4 x 70 7/8 in. (200 x 180 cm). Musée Marmottan Monet, Paris, Michel Monet Bequest, 1966, inv. 5119
Georgina Kleege teaches courses on representations of disability in literature, and disability memoir at the University of California, Berkeley. Her collection of personal essays, Sight Unseen (1999) is a classic in the field of disability studies. Essays include an autobiographical account of Kleege’s own blindness, and cultural critique of depictions of blindness in literature, film, and language. Blind Rage: Letters to Helen Keller (2006) transcends the boundaries between fiction and nonfiction to re-imagine the life and legacy of this celebrated disability icon. Kleege’s latest book, More Than Meets the Eye: What Blindness Brings to Art (2018) is concerned with blindness and visual art: how blindness is represented in art, how blindness affects the lives of visual artists, how museums can make visual art accessible to people who are blind and visually impaired. She has lectured and served as consultant to art institutions around the world including the Metropolitan Museum of Art, New York and the Tate Modern, London.
Kleege received the Distinguished Teaching Award from the Division of Arts and Humanities in 2013, and from UCB in 2016.
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