Guest Lecture: "Frank Stella: Saving Abstraction", by Dr. Jane Kinsman
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Frank Stella, Bonne Bay, from the Newfoundland Series, 1970. Color lithograph and screenprint, 38 x 70 in. Printed by Stuart Henderson and Ron McPherson (lithography) and Jeff Wasserman (screenprinting). Published by Gemini G.E.L., Los Angeles. FAMSF, Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation, 1996.74.465. © 2016 Frank Stella / Artists Rights Society (ARS), New York
Dr. Jane Kinsman is senior curator of International Prints, Drawings, and Illustrated Books at the National Gallery of Australia, Canberra. She has recently completed the publication Frank Stella: The Kenneth Tyler Print Collection, to accompany an exhibition opening in November 2016. Previous exhibitions and publications at the include Workshop: the Kenneth Tyler Collection (2015) with Jaklyn Babington, Emilie Owens, Julia Greenstreet, and Gwen Horsfield; Impressions of Paris: Lautrec, Degas, Daumier (2014); Robert Motherwell: at five in the afternoon (2014); William Kentridge: drawn from Africa (2013); Toulouse-Lautrec: Paris and the Moulin Rouge (2011–2012); Degas: master of French art (2008–2009); James Rosenquist: Welcome to the Water Planet (2006); An artist abroad: the prints of James McNeil Whistler (2005); After image: screenprints of Andy Warhol (2003); The art of collaboration: the big Americans (2002); Intimate Matisse (1999); Dance hall days: French posters from Chéret to Toulouse-Lautrec (1998); Picasso and the Vollard Suite (1997); Paris in the late 19th century (1996); The wild ones (1995); The prints of RB Kitaj (1994); Pop! (1991); Robert Kushner: the joy of ornament (1991); Lasting Impressions: Lithography as Art (1988) with Pat Gilmour, Christine Dixon and Mark Henshaw; Picture puzzles: Marcel Broodthaers (1987); Are you experienced: San Francisco Acid Rock Posters (1985) with Stephen Coppel; and Daumier and Gavarni (1985). She was also a contributing author for Masterpieces from Paris: Van Gogh, Gauguin, Cézanne and Beyond (2009). In 2012, Kinsman acquire her PhD from the Australian National University, Canberra with her thesis, The prints of David Hockney.
$3 members, $4 non-members. No reservations required.
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