A drawing room with lilac walls and highly polished black floors—and a pile of props like top hats, opera cloaks, and fans. Read more about how Cadell used his spectacular living space to inject a little glamour into his portrait of our next Scottish vistor, Berthia Hamilton Don-Wauchope, the artist's 50-something neighbor from Edinburgh. The except below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
The next in our weekly series of Scottish visitors is Lady Agnew, who sat for John Singer Sargent at the age of 27. Her pose is "notably langorous," possibly because she was recovering from a period of nervous exhaustion at the time. The except below is from the exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.
There’s a full cast of characters in Botticelli to Braque: Masterpieces from the National Galleries of Scotland—everyone from a Tahitian temptress painted by Paul Gauguin, to a rowdy Dutchman by Frans Hals. But there are also plenty of Scots, and once a week we'll highlight one of them by excerpting a section from the exhibition catalog, available for purchase in the Museum Store.
Recently, our photo services and imaging department responded to a rather unusual request from San Francisco Opera set designer Naomie Kremer. Kremer, who was designing a video set for an operatic adaptation of Frances Hodgson Burnett’s classic The Secret Garden (premiering on March 1, 2013) asked if she could incorporate portraits from the Museums’ permanent collection into her design. As today’s guest blogger, Kremer takes us on an incredible journey into The Secret Garden, giving us a sneak peek into the fantastical world she created.
The Secret Garden is a well-loved children’s story familiar to many generations. I’ve discovered that for many people, it is an iconic story that strikes a deep chord and seems to stay in their subconscious long after its last reading.
Rembrandt Peale (American, 1778–1860), George Washington, ca. 1850.
Oil on canvas. 53.15.1
Presenting the first blog post by communications intern Gauthier Melin.