Wednesdays–Sundays, 1–5 pm
plus Friday Nights April 17, April 24, and May 1 until 8:45 pm
de Young | Kimball Education Gallery/Artist Studio
This residency will explore a series of unexplained broadcasts that interrupted the programming of numerous international television stations between the years of 1986 and 2009. Purportedly sent from a spacecraft at the outer reaches of our galaxy, these transmissions created an international controversy, evoking strong opinions from experts in many fields. Throughout the month of April, this evidence will be displayed in the Kimball Gallery as a multimedia installation with video projections, surround-sound audio, theatrical performances, and laser-etched acrylic panels. For the first time ever, a public dialogue will be possible and people will have the opportunity to develop informed opinions about this mysterious set of phenomena.
Jon Bernson is a San Francisco musician, multimedia artist, and interdisciplinary playwright who has released more than twenty albums under the following names: Ray’s Vast Basement, Window Twins, THEMAYS, and Exray’s (whose music was featured in David Fincher’s Academy-Award winning film, The Social Network). He has toured the US numerous times and scored more than a dozen plays and films, including his recent soundtracks for Rajiv Joseph's Gruesome Playground Injuries and Samuel Beckett's Waiting for Godot. In 2013, he wrote the play, A Guide to the Aftermath for StoryWorks, a collaboration between the Center for Investigative Reporting and Tides Theatre that explores the intersection of theater and journalism. Beautification Machine, his sound sculpture collaboration with Andy Diaz Hope, opened at the Catharine Clark Gallery in San Francisco this past summer, was presented by Miami Projects 2014, and then acquired by the Nevada Museum of Art. His most recent sound installation at the Sonos Studio in Los Angeles was the result of an unlikely collaboration between the Oakland band Tune-Yards, Berlin-based video artist Jem the Misfit, and P-a-t-t-e-r-n-s, an architecture firm. He is a columnist at Decoder Magazine, co-founder of the Howells Transmitter record label, and resident sound designer at Tides Theatre. Bernson also founded the Urban Music Program at the Sunset Beacon Center, where he has taught electronic music and recording to youth for fifteen years.