Aspects of Mount Fuji in Japanese Illustrated Books from the Arthur Tress Collection

Reva and David Logan Gallery of Illustrated Books
September 11, 2010 - February 20, 2011

Noted photographer Arthur Tress (b. 1940) began collecting Japanese books in the fall of 1965 when he was a student at the Zen study center associated with the Shōkoku-ji temple in Kyoto. “After classes I would wander the back alleys behind the school, and I accidentally came upon a small, dilapidated secondhand bookstore that was filled from floor to ceiling with thousands of ragged old Japanese books for only a few dollars each,” he recalls.  “I was enchanted by the lovely, soft paper and bold illustrations [that were] often by important ukiyo-e artists such as Utamaro and Hokusai. I bought a few and was hooked for a lifetime’s passion.”

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Pulp Fashion: The Art of Isabelle de Borchgrave

February 5, 2011 - June 12, 2011

Belgian artist Isabelle de Borchgrave is a painter by training, but textile and costume are her muses. Working in collaboration with leading costume historians and young fashion designers, de Borchgrave crafts a world of splendor from the simplest rag paper. Painting and manipulating the paper, she forms trompe l’oeil masterpieces of elaborate dresses inspired by rich depictions in early European painting or by iconic costumes in museum collections around the world.  The Legion of Honor is the first American museum to dedicate an entire exhibition to the work of Isabelle de Borchgrave, although her creations have been widely displayed in Europe.

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Picasso: Masterpieces from the Musée National Picasso, Paris

June 11, 2011 - October 10, 2011

The de Young hosts an extraordinary exhibition of more than 100 masterpieces by Spanish artist Pablo Picasso (1881–1973) from the permanent collection of Paris’s world-renowned Musée National Picasso. The once-in-a-lifetime exhibition, made possible only because of the temporary closure of the Musée Picasso until 2012 for extensive renovations, comprises paintings, sculptures, drawings, and prints drawn from every phase of the artist’s career.

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Balenciaga and Spain

March 26, 2011 - July 4, 2011

Balenciaga and Spain examines the profound and enduring influence of Spain on the work of haute couture master Cristóbal Balenciaga. The impact of Spanish culture, history, and traditions is explored through the recurring themes in Balenciaga’s oeuvre and organized in the exhibition in six sections: Spanish Art, Regional Dress, the Spanish Court, Religious Life and Ceremony, the Bullfight, and Dance. Hamish Bowles, the European editor at large for Vogue, is guest curator. Objects are drawn from museum and private collections in France, Spain, and the United States, including the FAMSF collection.

Strollers are not permitted in the exhibition.

Olmec: Colossal Masterworks of Ancient Mexico

February 19, 2011 - May 8, 2011

Considered the “mother culture” of Mesoamerica and recognized as America’s oldest civilization, the people known today as the Olmec developed an iconic and sophisticated artistic style as early as the second millennium BC. The Olmec are best known for the creation of colossal heads carved from giant boulders that have fascinated the public and archaeologists alike since they were discovered in the mid-19th century. The monumental heads remain among ancient America’s most awe-inspiring and beautiful masterpieces today. Olmec: Colossal Masterworks of Ancient Mexico, featuring more than 100 objects, drawn primarily from Mexican national collections with additional loans from over 25 museums, is presented at the de Young Museum.

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Pat Steir: After Hokusai, After Hiroshige

July 17, 2010 - February 10, 2011

Complementing Japanesque at the Legion of Honor, this exhibition shows the continued influence of the Japanese print on Western artists into the late twentieth century. American painter, printmaker, and conceptual artist Pat Steir (b. 1938) was the first artist selected by Kathan Brown in 1982 to travel to Japan to make a color woodcut for Crown Point Press’s groundbreaking printmaking program in Kyoto. There she had the opportunity to work closely with artisans trained in the traditional methods of Japanese woodblock printing. In 1984 and 1985 she turned to subjects derived from famous prints by Hokusai and Hiroshige in color etchings she produced at Crown Point Press in Oakland: The Tree after Hiroshige; The Wave—From the Sea after Leonardo, Hokusai, and Courbet; and Yellow Bridge in the Rain after Van Gogh after Hiroshige.

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Rembrandt to Thiebaud: A Decade of Collecting Works on Paper

June 23, 2007 - October 7, 2007
The Achenbach Foundation for Graphic Arts, founded in 1948 by Moore and Hazel Achenbach, is the Fine Arts Museums’ department of prints, drawings, and photographs. It is the largest American museum collection of its kind west of Chicago; works range from the Renaissance to contemporary art and also include Asian art. Over the past decade the department has acquired more than 6,600 works on paper through gift and purchase. There has not been an opportunity to exhibit many of them until now. This exhibition of more than 250 objects displays the breadth and depth of our collecting activities over the past 10 years. Shown for the first time will be drawings by Michelangelo Buonarroti, Anthonie Waterloo, Giacomo Balla, Edward Hopper, Hans Arp, Andy Warhol, and Wayne Thiebaud, along with prints by Federico Barocci, George Stubbs, John Constable, Paul Gauguin, Giorgio Morandi, Pablo Picasso, and Gerhard Richter.Read more »

Surrealism: Selections from the Reva and David Logan Collection of Illustrated Books

September 15, 2007 - January 6, 2008
Although the term Surrealism was coined by the writer Guillaume Apollinaire in 1917, it was André Breton who formalized a movement around the term beginning in 1924. Breton asserted the centrality of automatism, submission to the subconscious, as the means to Surrealist expression. Found or random objects, textures, and imagery were central to Surrealism, as was the acceptance of dreams as worthy subject matter. Surrealism was as much a literary movement as an artistic one, and it involved an extraordinary number of the leading writers and poets of the day at one time or another. This exhibition brings together the works of some of the finest Surrealist poets and artists, whose collaborations produced both luxurious and outrageous artist’s books.
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