Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthistorisches Museum, Vienna

October 29, 2011February 12, 2012

Masters of Venice: Renaissance Painters of Passion and Power is a worldwide exclusive presentation of 50 paintings by Venetian painters Titian, Giorgione, Veronese, Tintoretto, Mantegna, and more, primarily from the sixteenth century, all on loan from the Gemäldegalerie of the Kunsthistorisches Museum in Vienna. Featured are outstanding examples of the work of these artists that were collected by the archdukes and emperors of the Habsburg family, which are among the most celebrated holdings in the collections of the Gemäldegalerie.

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Ticket Information 

Admission prices: adults $20, seniors 65+ $17, students with current ID $16, youths 6–17 $10, members and children 5 and under free.

Groups of 10 or more have access to priority booking and discounted rates. For additional information please contact the group sales office at groupsales@famsf.org or by calling 415.750.3620.

This exhibition is organized by the Fine Arts Museums of San Francisco in collaboration with the Gemäldegalerie of the Kunsthistorisches Museum, Vienna.

Major Patron

Penny and James George Coulter
San Francisco Auxiliary of the Fine Arts Museums

Patrons

Athena and Timothy Blackburn
William G. Irwin Charity Foundation

Sponsors

T. Robert and Katherine Burke
Samuel H. Kress Foundation
Mrs. James K. McWilliams
Greta R. Pofcher

Education programs presented in conjunction with the exhibition are sponsored by Wells Fargo and the S. D. Bechtel, Jr. Foundation.

This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Wells Fargo

Donald Judd and Sol LeWitt: Conceptual Color in Print

October 17, 2009March 7, 2010

Donald Judd was a major figure in the Minimalist art movement in the 1960s when he and others sought to create a depersonalized art in which the physical properties of space, scale, and materials were explored as phenomena of interest on their own. Judd’s use of color in three print series dating from 1988 to 1993 are on view along with a recent acquisition, Untitled (1993). Judd’s prints are compared and contrasted with prints by his peer, Sol LeWitt.

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Art and Power in the Central African Savanna

June 20, 2009October 11, 2009

This exhibition explores the political and religious power of nearly 60 sculptures created by artists of four Central African cultures: the Luba, Songye, Chokwe, and Luluwa. Carved primarily from wood, these power figures act as containers for magical organic ingredients and serve purposes both religious and political. According to traditional beliefs, the figures mediate between the human and spirit worlds to insure a healthy birth, successful hunt, or triumph over an enemy. A fully-illustrated catalogue by leading expert Constantine Pedridis accompanies the exhibition.

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Start with Art Reservation Form

Start with Art: Teacher Open House

Saturday, November 16, 1:00–4:00 p.m.  

Enjoy refreshments, curriculum resources, in-gallery activities, and free admission to the David Hockney: A Bigger Exhibition and the permanent collections. Presented in conjuction with the California Academy of Sciences Educator Extravaganza.

Questions about this event may directed to Emily Jennings at ejennings@famsf.org.

David Hockney: A Bigger Exhibition Free Friday Night for Educators Reservation Form

David Hockney: A Bigger Exhibition Friday Night for Educators!

Friday, November 1, 5:30–8 pm

Enjoy free entry to the special exhibition David Hockney: A Bigger Exhibition. By reservation only. Admission will be provided for educators and one guest.

Questions about this event may directed to Rebecca Crump at rcrump@famsf.org.

  

Eye Level in Iraq: Photographs by Kael Alford and Thorne Anderson

February 9, 2013June 16, 2013

This exhibition presents the photographs of Kael Alford (American, b. 1971) and Thorne Anderson (American, b. 1966), two American-trained photo journalists who documented the impact and aftermath of the US-led allied invasion of Iraq in 2003. They made these photographs during a two-year span that began in the months leading up to the allied invasion in spring 2003 and covers the emergence of the armed militias that challenged the allied forces and later the new central Iraqi government.

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This exhibition is organized by the Fine Arts Museums of San Francisco, and draws upon works generously loaned by the High Museum of Art, Atlanta.

Eye Level in Iraq

Thorne Anderson, Thawra, Baghdad, Iraq, April 18, 2003. Digital inkjet print. High Museum of Art, Atlanta. © Thorne Anderson

Crown Point Press at 50

Anderson Gallery of Graphic Art
October 20, 2012February 17, 2013

Crown Point Press at 50 marks the press’s 50th anniversary and features prints by 15 internationally renowned artists made at the press over the course of five decades. Some, such as Robert Bechtle and Wayne Thiebaud, have returned to the press throughout their careers; others, including Darren Almond, Chris Ofili, and Kiki Smith, are more recent additions to the roster. All share an enthusiasm for expanding their artistic practice by making prints.

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Crown Point at 50

L: Wayne Thiebaud, Tide Figures, 2006. Color drypoint with hardground etching printed on gampi paper chine collé. Crown Point Press Archive, gift of Crown Point Press. Art © Wayne Thiebaud/Licensed by VAGA, New York, NY. R:  Robert Bechtle, Three Houses on Pennsylvania Avenue, 2011. Color soft-ground etching with aquatint. Published by Crown Point Press, San Francisco. Collection of Crown Point Press

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