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Learning to Look K–3rd grade Reservation Request

Learning to Look—Guided Gallery Visits and Studio Art Activity Grades K–3

Tour and Studio Themes by Grade Level

  • Kindergarten: Students will explore shapes and lines while learning about overlapping and patterning in a community-centered project.
  • First Grade: We’ll be hunting for textures and patterns in the galleries so that we’re ready to work with clay in the studio.
  • Second Grade: There is symmetry, balance, and repetition all over the museum.
Name of teacher who will accompany students
School information
Please do not schedule transportation without receiving a tour confirmation.
You know your students best. Please help our staff and docents prepare to meet their needs and expectations by sharing the following information.
For example, special needs, unit studies the museum trip relates to, accommodations, or any other concerns.
For example, a call and response routine, quiet coyote hand symbol, etc.
For example, thumbs up, sideways, down.
I am requesting a…
Preferred dates and times

 Groups are not scheduled on the first free Tuesday of every month nor during Bouquets to Art week (April 25 to 30, 2017).

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Questions?

Pat Steir: After Hokusai, After Hiroshige

July 17, 2010February 10, 2011

Complementing Japanesque at the Legion of Honor, this exhibition shows the continued influence of the Japanese print on Western artists into the late twentieth century. American painter, printmaker, and conceptual artist Pat Steir (b. 1938) was the first artist selected by Kathan Brown in 1982 to travel to Japan to make a color woodcut for Crown Point Press’s groundbreaking printmaking program in Kyoto.

Location 
Pat Steir: After Hokusai, after Hiroshige

Yellow Bridge in the Rain after Van Gogh after Hiroshige, 1985 Color monotype, spit-bite aquatint, and etching

To Dye For: A World Saturated in Color

July 31, 2010January 9, 2011

To Dye For features over 50 textiles and costumes from the Fine Arts Museums’ comprehensive collection of textiles from Africa, Asia and the Americas. A truly cross-cultural presentation, the exhibition showcases objects from diverse cultures and historical periods, including a tie-dyed mantle from the Wari-Nasca culture of pre-Hispanic Peru (500–900 A.D.), a paste-resist Mongolian felt rug from the 15th–17th century and a group of stitch-resist dyed 20th-century kerchiefs from the Dida people of the Ivory Coast.

Location 

To Dye For: A World Saturated in Color is organized by the Fine Arts Museums of San Francisco and supported by Olive and Bruce Baganz, Dr. Donald Breyer, Mary F. Connors, Dr. Guido Goldman, Harry and Diane Greenberg, Thomas Murray, Francesca Passalacqua and Don Ed Hardy, S. Peter Poullada and Nancy Sheppard, San Francisco Tribal, and Fifi White. Additional support provided by Britex Fabrics, Judith and Reed Content, Barbara and Dolph Shapiro, and Peter and Beverly Sinton.

Left: Mat (mosen) for the tea ceremony, 19th century. Mongolia or China for the Japanese market Wool; felted, resist dyeing (tie-dye). Right: Felt rug, 15th–17th century, Mongolia. Wool; felt, stencil-resist dyed

Volunteer

With their numerous exhibitions and community programs, both the de Young and the Legion of Honor rely greatly on the Fine Arts Museums' Volunteer Council, a vital, 300-member organization that provides visitor services and staff support six days a week.

Annual Giving

Contact Information

Emily Christian, Associate Director of Donor and Member Programs
415.750.3555
echristian@famsf.org

Alexandra Higgins
Annual Giving Coordinator
415.750.3508
ahiggins@famsf.org

One of the Museums’ most vital sources of support is our Annual Giving program. This program brings together a dynamic group of individual donors who are passionate about art and dedicated to ensuring that diverse communities have access to our exhibitions and programs throughout the year. These generous individuals are, in turn, enriched by the impact of their contributions on those whose horizons are broadened by their museum experiences.

Annual Giving donors enjoy a host of attractive benefits, including invitations to exclusive events, private tours, and VIP tickets.

Individual Giving

Contact Information

Pam Earing
Director of Individual Giving
415.750.8940
pearing@famsf.org

Larissa Trociuk, Individual Giving Officer
415.750.3641
ltrociuk@famsf.org

Major gifts of support have a significant impact on the Museum’s ability to present new exhibitions, offer the highest-quality of educational programming, and engage audiences in interactive experiences with art.   They enable the conservation of FAMSF’s collections, and inspire capital projects which support asset-building needs.  Major gifts come in many forms and can be made through cash contributions, gifts of appreciated securities, bequests and planned gifts, or in-kind gifts such as contributions of valuable art.

Photo/Synthesis

May 1, 2010October 3, 2010

Photo/Synthesis highlights the dynamic trend in the field of contemporary photography, collages, assemblages, and other multi-part or composite photo-based projects. Dating from the 1960s to the present, the works in this exhibition transcend the limitations of traditional photography in which the camera simply captures a unique view or a decisive moment in time. Breaking free of the conventional frame, they are instead the products of various methods of assembling and organizing multiple photographic images into larger artistic statements.

Location 
David Hockney (British, b. 1937), Luncheon at the British Embassy, Tokyo, Feb. 16, 1983 1983. Photocollage. 1996.74.183

I Keep Foolin’ Around: William T. Wiley as Printmaker

March 20, 2010July 5, 2010

Bay Area artist William T. Wiley (b. 1937) is well known as a painter, sculptor, and draftsman whose imagery is infused with a lively blend of satiric wit, cultural commentary, and storytelling. I Keep Foolin’ Around focuses on his significant work in printmaking and features prints from the museum’s collection, including its William T. Wiley Print Archive and the Crown Point Press Archive.

Location 
It's Only a Pay Per Moon, 1974. Color lithograph on chamois with hand-coloring. 1978.1.179

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