Reservation Request

Reservation Request

Reservation and Scheduling Guidelines

  • Reservations for the 2010/11 school year begin August 1.
  • Guided visits are offered October 1, 2010 to May 27, 2011.
  • Get Smart with Art guided visits are offered Wednesdays and Fridays at 10:30 and 10:45 am.

General Guidelines

  • A minimum of 8 weeks advance notice is required.

Surface Tension: Contemporary Prints from the Anderson Collection

July 30, 2011January 22, 2012

In an era of modern and postmodern art that is often concerned with expressing its essential qualities of flatness and depthlessness, some artists engaged in making prints at fine arts presses have headed in a different direction. Rather than embrace the smooth, flat finish that can be achieved through print processes like screenprinting and lithography, these artists have manipulated the dimensionality of their works on paper, literally pushing their paper surfaces to new heights.

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Ed Ruscha Dog

Edward Ruscha (American, b. 1937) Dog, 1995. Mixografia on handmade paper, 27 1/4 x 38 1/2 inches. 2000.28

The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection

September 10, 2011July 29, 2012

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Sponsors

Major Sponsors

Francesca Passalacqua and D. E. Hardy
Turkish Cultural Foundation—Natural Dye Research and Development Laboratory
DATU

Lead Sponsors

George Hecksher
S. Peter Poullada and Nancy Sheppard
San Francisco Bay Area Rug Society

Sponsors

Bruce P. and Olive W. Baganz
Board of the Textile Arts Council
Dr. Donald Breyer
Mary F. Connors
Levon Der Bedrossian
Thomas Murray Asiatica—Ethnographica
Yvette Rogers

Support for the exhibition is also provided by the H. McCoy Jones Trust.

Kilim

Kilim, 18th century, Turkey, Anatolia. Wool, cotton; slit tapestry weave. 56  x 138  inches. The Caroline and H. McCoy Jones Collection. Gift of Caroline McCoy-Jones

Marco Breuer: Line of Sight

April 2, 2011October 2, 2011

Marco Breuer is one of the most innovative contemporary artists working in photography today. He is well known for using an extensive range of processes to extract abstract and visually compelling images from photographic materials. Line of Sight comprises a selection of photographs made by Breuer and placed in dialogue with objects from the de Young’s permanent collection.

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Sponsors

Marco Breuer: Line of Sight is organized by the Fine Arts Museums of San Francisco in cooperation with Von Lintel Gallery, New York. The exhibition is part of the Collection Connections program of Cultural Encounters, made possible by a generous gift from the Annenberg Foundation.

Marco Breuer: Line of Sight

Left: Spin (C-818), 2008. Chromgenic paper, exposed/embossed/abraded. 10 13/16 x 8 1/2 inches. Center: Untitled (Study for Tremors), 2000. Silver gelatin paper, burned. 18 x 14 inches. Right: Untitled (E-30), 2005. Cyanotype on Fabriano paper, exposed. 13 1/16 x 9 3/4 inches. All images © Marco Breuer and courtesy of Von Lintel Gallery, New York.

Rupert Garcia: The Magnolia Editions Projects 1991–2011

February 19, 2011July 17, 2011

Renowned Bay Area artist Rupert Garcia is committed to creating artwork not only as a means of achieving aesthetic ends, but also as a viable way of addressing social and political concerns. Through his bold silkscreens and layered pastels and paintings, Garcia catalyzes discussion and debate in a broad audience about the pressing issues that have faced the late 20th and early 21st centuries. His recent editions elaborate on his political concerns, as well as addressing his interest in challenging notions of folk and high art.

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Obama from Douglass, 2010. Pigmented inkjet. Printed and published by Magnolia Editions Inc., Oakland. Courtesy of the artist and Magnolia Editions.

Bouquets to Art 2012

March 13, 2012March 17, 2012

Celebrate spring at the de Young, when Bouquets to Art, the glorious annual floral exhibition and fundraiser, returns March 13–17, 2012.

The five-day event, produced by the San Francisco Auxiliary of the Fine Arts Museums, features designs by 150 innovative floral designers, who create displays that pay tribute to and draw inspiration from the de Young’s permanent art collection.

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Picasso: Masterpieces from the Musée National Picasso, Paris

June 11, 2011October 10, 2011

The de Young hosts an extraordinary exhibition of more than 100 masterpieces by Spanish artist Pablo Picasso (1881–1973) from the permanent collection of Paris’s world-renowned Musée National Picasso. The once-in-a-lifetime exhibition, made possible only because of the temporary closure of the Musée Picasso until 2012 for extensive renovations, comprises paintings, sculptures, drawings, and prints drawn from every phase of the artist’s career.

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Sponsors

Picasso: Masterpieces from the Musée National Picasso, Paris is co-organized by the Musée National Picasso, Paris, and the Fine Arts Museums of San Francisco. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Presenting Sponsor

Bank of the West

Major Patrons

Penny and James George Coulter
Estate of Mary Price Moffatt

Lead Patrons

The Ray and Dagmar Dolby Family Fund
The Bernard Osher Foundation

Lead Education Patron

Douglas A. Tilden

Lead Sponsors

Muriel T. French Trust
Isabelle and Charles Picasso

Sponsors

Estate of Emmy S. Altman in memory of Ludwig Altman
Dr. N. L. Ascher
The Frances K. and Charles D. Field Foundation
The Fortna Revocable Trust
Barbara Foster
Lisa and Douglas Goldman Fund
The Herbst Foundation, Inc.
Nion T. McEvoy
Estate of Henry Perin
Family gift in memory of Georgette N. Rosekrans
Estate of Daryl J. Weinroth

ChristiesHanson Bridgett

Additional support is provided by Terry and Scott Gross and Denise Hopper Fitch, Alexander R. Mehran and Venetta and John Rohal.

Media Sponors

KGO TV

San Francisco Examiner

List in formation

Musée National Picasso, Paris

picasso

Balenciaga and Spain

March 26, 2011July 4, 2011

Balenciaga and Spain examines the profound and enduring influence of Spain on the work of haute couture master Cristóbal Balenciaga. The impact of Spanish culture, history, and traditions is explored through the recurring themes in Balenciaga’s oeuvre and organized in the exhibition in six sections: Spanish Art, Regional Dress, the Spanish Court, Religious Life and Ceremony, the Bullfight, and Dance. Hamish Bowles, the European editor at large for Vogue, is guest curator.

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Ticket Information: 

 

Sponsors

Balenciaga and Spain is organized by the Fine Arts Museums of San Francisco.

Presenting Sponsors

GoogleBOUTIQUES.com

Major Patrons

San Francisco Auxiliary of the Fine Arts Museums
Christine Suppes

Lead Sponsors

Neiman Marcus

Marissa Mayer and Zachary Bogue
Diane B. Wilsey

Left: Bolero of garnet velvet and black jet embroidery, winter 1947. Collection of The Costume Institute of The Metropolitan Museum of Art.  Photograph by Craig McDean. Center: Detail of evening bolero jacket of burgundy silk velvet and jet and passementerie embroidery by Bataille, winter 1946. Collection of Hamish Bowles. Photo by Kenny Komer. Right: Scarlet silk ottoman evening coat with capelet collar, autumn/win

Olmec: Colossal Masterworks of Ancient Mexico

February 19, 2011May 8, 2011

Considered the “mother culture” of Mesoamerica and recognized as America’s oldest civilization, the people known today as the Olmec developed an iconic and sophisticated artistic style as early as the second millennium BC. The Olmec are best known for the creation of colossal heads carved from giant boulders that have fascinated the public and archaeologists alike since they were discovered in the mid-19th century.

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Sponsors

Funding for the San Francisco production of the exhibition is provided by the Phyllis C. Wattis Fund for Traveling Exhibitions

The exhibition was organized by the Fine Arts Museums of San Francisco and the Los Angeles County Museum of Art in collaboration with the Consejo Nacional para la Cultura y las Artes—Instituto Nacional de Antropología e Historia de México.

INAH

The exhibition is supported by an indemnity from the Federal Council on the Arts and Humanities and the National Endowment for the Arts.

Education programs and events presented in conjunction with the exhibition are sponsored by the National Endowment for the Arts, Wells Fargo, the Winifred Johnson Clive Foundation, Gail and Alec Merriam, the S. D. Bechtel, Jr. Foundation, Lauren L. T. Hall and David Hearth, and the Friends of AOA.

National Endowment for the ArtsWells Fargo

Olmec images

(Left to right) Colossal Head 5, 1200–900 BC. Museo de Antropologia de Xalapa, Universidad Veracruzana; Archaeologists study a monumental stone head discovered at the La Venta site in Tabasco State, Mexico. © Richard Hewitt Stewart / National Geographic Stock; Monument 1 (seated figure), 1200–900 BC. Museo de Antropologia de Xalapa, Universidad Veracruzana (Reg. 49 P.J. 4023). Object photos: Consejo Nacional para la Cultura y las Artes–Instituto Nacional de Antropologia e Historia–Mexico–Javier Hinojosa

Get Smart with Art 4–8th grade Reservation Request

Get Smart with Art—Guided Gallery Visits and Studio Art Activity, Grades 4–8

General Guidelines

  • Please use one reservation form for each class, you may keep a copy for your records.
  • Requests will be processed in the order received.
  • Please note that the maximum size of a class group is 30 students; however, 6th grade Get Smart with Art at the Legion of Honor can accommodate up to 90 students. Larger groups require multiple slots. All requests are subject to availability.
  • Get Smart with Art is free.
Name of teacher who will accompany students
School information
Second contact
Please do not schedule transportation before receiving a tour confirmation.
About your students
You know your students best. Please help our staff and docents prepare to meet their needs and expectations by sharing the following information.
Please share any information that will help our staff and docents engage your students. . (For example, special needs unit studies the museum trip relates to, accommodations or any other concerns).
For example, a call and response routine, quiet coyote hand symbol, etc.
For example, thumbs up, sideways, down.
I am requesting a...
Preferred dates and times

Groups are not scheduled on the free first Tuesday of every month nor during Bouquets to Art week (March 1318, 2018).

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