Reception for Andy Diaz Hope + Laurel Roth
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Allegory of the Monoceros, 2008. Jacquard tapestry. 106 x 76 in.
June 6–July 1
Wednesdays, Thursdays, Saturdays, Sundays, 1:00–5:00 pm
Fridays 5:00–8:30 pm
Closing Reception on Friday, March 29 from 5:00–8:30 pm. Refreshments served while they last.
Join artists Andy Diaz Hope and Laurel Roth as they spend a month in the Artist Studio to collaborate on a new tapestry. Visitors' input will be incorporated into the final design.
From the artists:
Our collaborations provide and important third entity to our individual practices. Diaz Hope’s work focuses primarily on humanity’s impact on its own internal landscape, while Roth’s focuses on humanity’s impact on the external world. Our collaborations allow us to meld these two foci to explore topics from mulitple points of view. We began collaborating in 2004. Since then we collaborate regularly and often include joint work in our individual exhibitions as well as creating entirely collaborative exhibitions such as our Future Darwinist show in 2008 and the 2011 show in 2011 at Schroeder Romero Gallery; and the Pharmacopeia installations at the Headlands Center for the Arts in San Francisco, Gescheidle Gallery in Chicago, and Mixed Greens gallery in New York City.
Our most recent work together is a triptych of tapestries inspired by the Unicorn Tapestries and structured on the three fundamental conflicts in literature. The first, Allegory of the Monoceros, illustrates the end of Darwinian natural selection and the growth of human-centric evolution. The second, Allegory of the Infinite Mortal, portrays a garden for contemplation of the scientific and philosophical structures humans have used throughout history to explore the concepts of infinity and immortality and our place therein.The third tapestry will be created during our fellowship at the de Young.
Admission into the gallery is free of charge.
Contact InformationAndrea Martin
The de Young is proud to present new works and works-in-progress at the museum and in the community, along with our collaborating partners Magnolia Editions and Bergarde Gallery.
This project has been generously funded by the James Irvine Foundation's Innovation Fund and The Institute of Museum and Library Sciences.