Docent Lecture: "Ed Ruscha and the Great American West", by Marsha Holm

Ed Ruscha, Busted Glass, 2014
October 9, 2016 -

Ed Ruscha and the Great American West includes 99 works that reveal the artist’s engagement with the American west and its role in our national mythology. This exhibition is organized by the Fine Arts Museums of San Francisco and celebrates the career of one of the world’s most influential and critically-acclaimed artists.

Guest Lecture: "Art and Politics", by Matt Gonzalez

September 29, 2016 -

Matt Gonzalez is a former president of the San Francisco Board of Supervisors who served as Ralph Nader’s vice-presidential running mate in 2008. For over a decade, Gonzalez has been exhibiting his own art work, currently with Dolby Chadwick Gallery in San Francisco. His work has been reviewed in Art LTD / West Coast Art + Design, San Francisco Arts Quarterly, NY Arts Magazine, San Francisco Chronicle, and Whitehot Magazine of Contemporary Art.

Film Screening: Danny Lyon's “Los Niños Abandonados” (The Abandoned Children)

Danny Lyon, "Joselyn, Colombia", 1975
November 25, 2016 -

An inspiring film with unforgettable imagery, Los Niños Abandonados (1975, 63 min., color, Spanish with English subtitles) was filmed by Danny Lyon in Santa Marta, Colombia. The film shows the daily rhythms of a gang of boys who live on the city’s streets. Their survival skills and errant lifestyles are in evidence as they beg for scraps to eat, wheel and deal with storekeepers and street vendors, and play together.

An Evening with Danny Lyon

Danny Lyon, Bill Sanders, Tattoo Artist, Houston, Texas, 1968
November 4, 2016 -

Tonight's program includes a screening of Soc. Sci. 127 (1969, 21 min.) and Leesburg (2015–2016, 8 min.) by Danny Lyon, followed by a discussion between the artist and Julian Cox, chief curator and founding curator of photography, FAMSF.

Film Screening: "The Asphalt Jungle"

The Asphalt Jungle movie poster
August 19, 2016 - 7:15pm

The Asphalt Jungle (1950, 104 min) is a naturalistic film noir classic (resembling numerous B-films) of the early 1950s directed by John Huston. The realistic, documentary-like, urban crime/heist film, advertised as "A John Huston Production," is one of the first films that completely detailed how to pull off an authentic-looking heist—considered morally improper under the Motion Picture Production Code.


Subscribe to Koret Auditorium