Ann Hedlund is the director of the Gloria F. Ross Center for Tapestry Studies at the Arizona State Museum, and curator of Ethnology and professor of Anthropology at the University of Arizona, Tucson.
Julie Muniz is the former associate curator of Craft and Decorative Arts at the Oakland Museum of California.
Matthew Robb is curator of Art of the Americas at the Fine Arts Museums of San Francisco.
Deborah Valloma is a special assistant to the provost for Interdisciplinary Studies and Studio Assessment Chair of the Textiles Program, and an associate professor of Textiles and Fine Arts Graduate Programs at the California College of the Arts.
Since their archaeological and artistic remains were first studied by Western scholars about a century and a half ago, we have begun to appreciate that the ancient Maya rulers of Central America were possessed by the study of time, the calendar, and astronomy. This lecture mainly examines the evidence that suggests Maya priest-astronomers carefully watched the planet Venus, clocking its motion to an accuracy of better than two hours in five centuries, all without the advantage of the technologies we have today.
Jill D'Alessandro is the curator of Textile Arts at the Fine Arts Museums of San Francisco.
Live music by John Santos Sextet, celebrating the African diaspora.
About the Visions Series
The Sankofa Project, led by Keenan Weber, plays music of Africa and America, including traditional blues, jazz, and Americana.
The period when Georgia O’Keeffe made regular visits to Lake George is the most productive of her career and coincides with her emergence as a professional artist, admired by critics and the public alike. Yet Modern Nature is the first exhibition to look closely at her work over these years.
Known for her sculptural installations and mixed-media assemblages, Howard has received numerous awards from such entities as the San Francisco Art Institute (Adeline Kent Award), the Joan Mitchell Foundation, and the California Arts Council (fellowship). Her work has been exhibited internationally, including recent shows in Berlin, Cairo, and Bath, England. Large-scale installations have been mounted at Creative Time and the New Museum, New York; in SITE, San Diego; and the National Museum of Women in the Arts.