Explore the distinctive art, culture, and history of Hawai‘i with the first exhibition of Hawaiian featherwork on the US mainland, developed in partnership with the Bernice Pauahi Bishop Museum, Honolulu.
Peter Copping, Creative Director, Oscar de la Renta
Veronique Hyland, Senior Fashion News Editor for New York magazine/The Cut
Gladys Perint Palmer, Executive Vice-President of Artistic Development, Academy of Art
André Leon Talley, former editor-at-large, Vogue, and exhibition curator
As editor-in-chief of San Francisco Cottages and Gardens, Alisa Carroll is always looking for trendsetters the realms of architecture, technology, landscape, or floral design. Her keen sense for uncovering the new and unique enables her to define the direction of design innovation in the Bay Area. Alisa will lead a conversation with florists: Allison Futeral, co-founder of Crimson Horticulture and Christina Stembel, founder of Farmgirl Flowers, who design stunning, artful creations, and expanding the business beyond bouquets.
Carolyne Roehm has a four-decade career that spans the worlds of fashion, gardening, entertaining, publishing, and decorative arts. Mentored by Oscar de la Renta, Carolyne has worked alongside the designer for ten years before launching her own fashion house in 1985. A discerning eye and a passion for beauty led her into the world of flowers, where her books are often considered the best in their field. The most recent of her twelve books is At Home in the Garden, which reflects Carolyne’s mission of teaching others how to capture and create beauty in their everyday lives.
Occasion! founder and CEO, Annette Kunz is first and foremost a floral designer whose work has been published in books, magazines, newspapers, and shown on television. A longtime exhibitor at Bouquets to Art, Annette is greatly influenced by the natural scenic splendor that surrounds her on California’s central coast, which is always reflected in her innovative and captivating designs. A student of cutting-edge design, Annette will demonstrate how armature design, which is widely used abroad and catching on in the states, adds sculptural and textural attributes to designs.
“A rose is a rose is a rose,” the famous expression goes, but not all roses are created equal. When Bill and Danielle Hahn opened Rose Story Farm nearly two decades ago, they knew what they wanted to grow—the lush, fragrant blooms of her grandparents’ yards. Today they feature more than 25,000 plants at their farm near Santa Barbara, and these beautiful organic blossoms are an American treasure. Danielle will present a thorough overview of roses, including their history and tips on working with them.
Style muse India Hicks is difficult to sum up in one word. Designer, author, entrepreneur, and adventurer, India is the embodiment of the style she will discuss: British formality and carefree island living. Daughter of the famed international designer David Hicks and goddaughter of the Prince of Wales, she is an elegant, curious, and intriguing woman. India will share tips on incorporating different styles for beautiful living.
Note: To keep flowers as fresh as possible, the temperature of the Koret Auditorium may be cooler than usual. Please dress accordingly.
How do we situate artworks or even entire art movements that lie outside the notion of the artistic canon (or perceived canon)? In the expansive realm of non-Western art, what defines an outlier? Outliers can be unique objects that do not fit within the corpus, understudied art forms, works overlooked by the art market, or art that is culturally distinctive within its own region. Outliers challenge definitions.
The Anatolian kilim has long been recognized as an icon of traditional tribal culture. This lecture offers new criteria for its appreciation, tracing parallels in color, form, and abstraction between kilims and works of Western modern art, including the paintings of the Impressionists, the Post-Impressionists, and Pablo Picasso (1881–1973).
Julian Cox is the Fine Arts Museums of San Francisco’s founding curator of photography and chief administrative curator. His prior curatorial appointments include positions at the National Museum of Photography, Film and Television (now the National Media Museum), Bradford, England; the J. Paul Getty Museum, Los Angeles; and the High Museum of Art, Atlanta. He coauthored, with Colin Ford, the critically acclaimed publication Julia Margaret Cameron: The Complete Photographs (2003), the first catalogue raisonné of Cameron’s work.