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Turpitudes Sociales Occupies the Legion of Honor
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One of the most remarkable moments in Pissarro’s People (on view at the Legion of Honor through January 22, 2012) comes toward the end of the exhibition in the form of an album of pen and ink drawings entitled Turpitudes sociales (“social turpitude,” or disgraces).

Turpitudes sociales, 1889–1890. Thirty pen and brown ink over graphite drawings on paper pasted in an album. Album: 12 1/4 x 9 1/2 in. (31 x 24 cm). Collection of Jean Bonna, Geneva. Photo by Patrick Goetelen, Geneva, courtesy of Jean Bonna.

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A Tour with Trevor
Lying on the floor of Three Gems

Pablo Picasso said, “Every child is an artist. The problem is how to remain an artist once we grow up.” With this in mind, we recently toured the de Young with a precocious eight-year-old named Trevor to learn what we could about the experience of the museum and its art from a child’s perspective. Needless to say, we learned a lot.

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Art of the Radical Left (Coast)
Camille Pissarro. The Harvest, 1882

Throughout art history, politics have inspired, informed and incited the cultural production of artists throughout the world. In today’s context of social and political unrest, the subject seems particularly relevant. Two major exhibitions in San Francisco and New York currently bookend the country with the art and politics of the radical left. In both Pissarro’s People (on view at the Legion of Honor through January 22, 2012) and Diego Rivera: Murals for the Museum of Modern Art (on view at the Museum of Modern Art through May 14, 2012), the political beliefs of the artists are placed front and center.

Camille Pissarro. The Harvest, 1882. Tempera on canvas. 27 11/16 x 49 9/16 in. The National Museum of Western Art, Tokyo, donated by the heirs of Mr. Kojiro Matsukata, P.1984-3

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FRAME|WORK: "Two Women and a Child" by Diego Rivera

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. Tomorrow is the 125th anniversary of Diego Rivera’s birth, so this week we feature his iconic Two Women and a Child, which is currently on display at the de Young.

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Whatever Happened to Friday Nights?

Last week marked the close of Friday Nights at the de Young's season seven. We sat down with public programs director Renee Baldocchi to reflect on the past successes of Friday Nights at the de Young and to learn about what’s in store for the future, including upcoming programming for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.

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Will Work for Art: Ashley Stropes Brown

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take into the glamorous world of the Museums' development department with Ashley Stropes Brown, the manager of membership and development events. Originally from Laguna Niguel, California, Ashley has been with the Museums for a little over five years.

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