FAMSF Blog

Music, Muses and Divas in the Art of the Victorian Avant-Garde

Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas , public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.

John William Waterhouse, Saint Cecilia, 1895, oil on canvas. Private Collection

Saint Cecilia
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Mystery Glass Negatives from Land's End

Before there were digital image files and even before there was film, photographers captured images on glass plate negatives. In the collection of the Fine Arts Museums of San Francisco there are over seventy of these glass plate negatives depicting scenes of Land’s End and old San Francisco. Discovered in the basement of the old de Young, these century-old negatives were in desperate need of cleaning and re-housing. When the negatives came into the paper conservation lab at the Legion of Honor for proper care, the labor intensive project proved a perfect opportunity for pre-program conservation student Jennifer Martinez.

Foundation of Cliff House, c. 1895

Foundation of Cliff House
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FRAME|WORK: Zig V by David Smith

FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week, we feature David Smith’s monumental sculpture, Zig V (1961).

Zig V
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Outlasting Eternity: A Reflection on the Figures of Stephen De Staebler

Guest-blogger Tim Svenonius is the interpretive media producer at the San Francisco Museum of Modern Art and an artist in his own right. Here he shares his insights and reflections after seeing Matter + Spirit: The Sculpture of Stephen De Staebler on view at the de Young through May 13.

From left to right: Man with Broad Chest, 2010. Bronze with patina. Courtesy of Dolby Chadwick Gallery, San Francisco; Winged Woman Walking I, 1987. Bronze with patina. Courtesy of Dolby Chadwick Gallery, San Francisco; Winged Figure with Three Legs, 2003. Collection of Peter and Beverly Lipman, Portola Valley, California.

Three Figures
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FRAME|WORK: The Grand Canal, Venice by Claude Monet

FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week we take a closer look at Claude Monet’s impressionist depictiion of the Grand Canal in Venice, from 1908.

The Grand Canal, Venice
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Our People, Our Queen

Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.

Monique in costume for Our People. Photo courtesy of Arturo Cosenza

Monique for Our People
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