Ralph Eugene Meatyard

A Band Apart: Ralph Eugene Meatyard and Francesca Woodman

Currently on view at the de Young and SFMOMA are two significant photography exhibitions—Ralph Eugene Meatyard: Dolls and Masks and Francesca Woodman, respectively. In this rare, behind-the-scenes look at the curatorial process, Julian Cox (of the de Young) and Corey Keller (of SFMOMA) discuss the elusive issues of artistic intention and practice, the mythology of the artist, and the position of Meatyard and Woodman in the history of photography.

Meatyard Woodman

Left: Ralph Eugene Meatyard (American, 1925–1972). Untitled, ca. 1960–1962. Gelatin silver print. Museum purchase, John Pritzker Fund. 2011.4.1. Right: Francesca Woodman (American, 1958–1981). My House, Providence, Rhode Island, 1976. Gelatin silver print. Courtesy George and Betty Woodman. x2011.467.032

More Real than Real: The Photography of Ralph Eugene Meatyard

Photographs, a ubiquitous component of contemporary life, serve as an ever-evolving record of our lives and those of our friends and family. Children provide an immediate source of inspiration, and many new parents quickly adopt the role of amateur photographer.

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