painting

Museum Without Walls: A Studio Visit with Todd T. Brown

In continuation of our series Museum Without Walls, we visited Todd T. Brown’s studio as he prepares for his final exhibition as an Artist Fellow at the de Young. Inheritance and Dreams will be on display in the Kimball Education Gallery February 1–12.

Picasso: The Women Behind the Artist

Discover the women, the passion and the heartbreak behind Pablo Picasso’s work presented in Picasso: Masterpieces from the Musée National Picasso, Paris currently on view at the de Young. Behind every great artist, there is a muse. For Picasso, his romantic relationships provided inspiration for countless paintings,  drawings and sculptures.

Follow that Art! Balcomb Greene's Six-Sided Planes Becomes a Permanent Resident of the de Young

After Six-Sided Planes received its makeover in the paintings conservation lab, it was transported to the Legion of Honor for review during the full Board meeting (there are several sub-committee Board meetings that take place throughout the year).

FRAME|WORK: Boatmen on the Missouri by George Caleb Bingham

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature the iconic Boatmen on the MIssouri by George Caleb Bingham, currently on view in Gallery 23 at the de Young.

In the Galleries: Robert, Calvin, Martha, and William Scott and Mila (ca. 1843–1845)

Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845

Regulars to the permanent galleries at the de Young will notice a new addition to Gallery 23 on the upper gallery level—the anonymous painting titled Robert, Calvin, Martha, and William Scott and Mila, ca. 1843–1845. The painting depicts the children of Reverend William Anderson Scott (1813–1885), a Presbyterian minister in New Orleans from 1842 to 1854. The spire of the First Presbyterian Church where Dr. Scott was pastor is visible at the center of the city’s skyline.

New Acquisition on View: The Absinthe Drinkers by Jean-François Raffaëlli

The Absinthe Drinkers, 1881Visitors to the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay can get a look at one of the Fine Arts Museum's newest acquisitions, The Absinthe Drinkers (Les buveurs d'absinthe), 1881, by Jean-François Raffaëlli (French, 1850–1924). The Absinthe Drinkers is widely regarded as among Raffaëlli's most important and accomplished paintings. It can be viewed at the entrance to Birth of Impressionism this summer, but will eventually take up permanent residence in the Legion of Honor's gallery 19.

Although not counted among the Impressionists, the Realist Raffaëlli nonetheless exhibited The Absinthe Drinkers (at the invitation of Degas, who sought to increase the number of figural painters involved) at the sixth Impressionist group show in 1881.There it caused a sensation due to its gritty imagery and portrayal of the devastating effects of addiction to the potent drink absinthe.

John Buchanan and Guy Cogeval Discuss Birth of Impressionism on Forum

John Buchanan and Guy Cogeval

Yesterday morning FAMSF director John Buchanan and Musée d'Orsay president Guy Cogeval discussed the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, which opens at the de Young Museum tomorrow, May 22, 2010.

In case you missed what some commenters are calling "the best Forum episode ever", you can stil listen online. In fact, we've embedded it in this very blog post! You can access it after the jump.

Birth of Impressionism runs through September 6, 2010. Later on that month, the de Young will host a follow-up show, Van Gogh, Gaugin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay. That exhibition opens September 26 and runs through January 18, 2010.

Bouquets to Art: Annual invasion of the flowers

The Fine Arts Museums’ annual floral extravaganza, Bouquets to Art, takes place in March every year. It’s FAMSF’s biggest fundraiser of the year, and it’s extremely popular with museumgoers. It can be especially challenging to the FAMSF conservation staff, however, given the potential to admit insects and pests to the museum. This photo essay chronicles the conservation staff (a.k.a. The Conservation Patrol) at Bouquets to Art 2009.

Bouquet in front of Stela with Queen Ix Mutal Ahaw

Bouquet in front of Stela with Queen Ix Mutal Ahaw.

 

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