This post was submitted by Ann Dawson, Achenbach Graphic Arts Council Travel Chair
Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.
For the past two weeks, the world watched athletes from the world over compete and triumph in the 2012 Olympic Games. Meanwhile, museums the world over competed on Twitter in the tongue-in cheek competition #MuseumOlympics, which originated right here in San Francisco. Willa Köerner, digital engagement associate at SFMOMA and today's g uest blogger, takes us behind the scenes of #MuseumOlympics and reveals the origins of what will surely become a new quadrennial tradition.
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