One of the most innovative components of the Artist Fellows program is the goal to reveal the process of artistic creation—the weeks (even years) of planning, the evolving ideas, and the constant back-and-forth that foments creativity. Throughout the month of July, Artist Fellow Sarah Wilson and her artistic partners, Catch Me Bird (C. Derrick Jones and Nehara Kalev), have been exhibiting this collaborative process as they work together to produce Off the Walls. A multimedia performance that melds Wilson’s dynamic jazz-oriented music with Catch Me Bird’s dance and aerial performances, Off the Walls is inspired by the painter Aaron Douglas, whose painting Aspiration is a highlight of the de Young’s American painting collection.
Seven years ago, the de Young hosted its first jazz performance in partnership with Intersection for the Arts. Jazz at Intersection at the de Young came about through my relationship with Kevin Chen of Intersection for the Arts. Together we invited a wide range of local jazz composers and musicians to create and perform music inspired by the museum’s special exhibitions and permanent collection.
Composer, trumpeter and singer-songwriter Sarah Wilson technically grew up in a vineyard, but her coming of age as a musician took place in New York City. At her first performance as an Artist Fellow at the de Young tomorrow, Friday, May 25, Wilson presents new work inspired by both the rolling hills of the Napa Valley and New York City’s wild women of jazz.
Wilson began her yearlong fellowship last November with a 10-day residency at Stags’ Leap Winery, where the vineyards—their colors and moods—served as muse for the new compositions Night Still and Color, both of which will be featured in tomorrow’s performance.