Georgia O'Keeffe

Weekends with Georgia

Although Modern Nature: Georgia O’Keeffe and Lake George (on view at the de Young through May 11) focuses on the artist’s work created in upstate New York, O’Keeffe is famously associated with the arid deserts of New Mexico. Anna Koster, an artist who now lives in the Bay Area, shares her experience working with Georgia O’Keeffe at her beloved Ghost Ranch in Abiquiu, New Mexico.

An abstracted horizontal landscape of a still lake in shades of blue, grey, and green

Modern Nature Revealed

In this Q&A Timothy Anglin Burgard, Fine Arts Museums of San Francisco curator in charge of American art, answers all your burning questions about Modern Nature: Georgia O’Keeffe and Lake George, on view through May 11 at the de Young.

Every Which Way But Up

When installing a painting or sculpture for exhibition, determining the correct orientation of the work is (perhaps obviously) paramount. When discussing modern art, a seemingly simple question like “Which side is up?” can become much more complicated; and occasionally when dealing with abstract art, this determination can be downright perplexing.

Two paintings recently reinstalled in Gallery 50 at the de Young have raised this question for years. Since they first arrived at the Museums, Georgia O’Keeffe’s Petunias and Arthur Dove’s Sea Gull Motive have puzzled viewers and art historians alike.

Georgia O'Keeffe (American, 1887–1986). Petunias, 1925. Oil on hardboard panel. Museum purchase, gift of the M. H. de Young Family. 1990.55. © Georgia O'Keeffe Museum

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