It’s the fifth and final day of Five Days of Friday! Tonight, September 7, Friday Nights at the de Young hosts a ton of great events, including live music, performances, art demonstrations, video installations, and of course, art making for all! One of tonight’s highlights is a visit by the San Francisco Public Library Green Bookmobile, featuring titles used by Artist Fellows Andy Diaz Hope and Laurel Roth to research The Conflicts, a triptych of monumental tapestries. Guest bloggers Hope and Roth share their reading list below—check it out and then check out a book tonight at the Bookmobile!
Friday Nights at the de Young
Catherine Herrera is a Bay Area artist and filmmaker of Ohlone descent who has collaborated with the de Young Museum on numerous projects over the past several years. This Friday Night at the de Young, September 7, Herrera’s video installation Bridge Walkers will be on view for one night only in the observation deck on the ninth floor of the museum’s Hamon Education Tower. In this, the third installment of Five Days of Friday, director of public programs Renee Baldocchi sits down with Herrera to learn more about the installation and the artist’s practice.
You know that saying “It’s always five o’clock somewhere?” Well, this week it’s Friday everyday! We’re bringing you five days of Friday to showcase the amazing events taking place this (and every) Friday Night at the de Young through November 23.
The corset looms large in special exhibitions at both the de Young and the Legion of Honor. Jean Paul Gaultier, the subject of the de Young's The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , integrated this iconic garment into his prêt-à-porter collections as early as 1983. Meanwhile, over at the Legion of Honor in The Cult of Beauty: The Victorian Avant-Garde, 1860 –1900 (on view through June 17) the artists of the Aesthetic Movement rejected the corset in defiance of Victorian era fashions and social mores. Tonight, Friday Nights at the de Young explores the surprisingly dynamic world of Haute Corsets , with local corset makers Dark Garden and a screening of Truth or Dare , in which Madonna gets into the groove wearing Gaultier's unforgettable cone bra corset. Before you lace up, bone up on the fascinating history of this beguiling bodice!
Tonight, Friday Nights at the de Young celebrates the history of the dandy from Oscar Wilde to Jean Paul Gaultier. Whereas Oscar Wilde’s aesthetic style was derided as too feminine, Jean Paul Gaultier embraces gender bending, dressing men in skirts and women in exquisitely tailored suits. In this way, Gaultier's designs approach a new androgyny and subvert established fashion codes. The designer toys with standard concepts of the masculine and feminine throughout the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk , but one exhibit in particular literally speaks to this issue. He is the Man in the Mirror.
Seven years ago, the de Young hosted its first jazz performance in partnership with Intersection for the Arts. Jazz at Intersection at the de Young came about through my relationship with Kevin Chen of Intersection for the Arts. Together we invited a wide range of local jazz composers and musicians to create and perform music inspired by the museum’s special exhibitions and permanent collection.
Today’s guest blogger is 2012 de Young Artist Fellow Monique Jenkinson (aka Fauxnique). During her yearlong fellowship, she is focusing on the Museums’ costume and textiles collection, particularly the work of Jean Paul Gaultier as represented in the special exhibition The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view at the de Young through August 19). This Friday Night at the de Young, April 27, Jenkinson presents Making Scenes, a curated evening that includes a new dance/installation piece entitled Our People, inspired by the work of Gaultier—his icons, his fetishes and his light-hearted, humanistic irreverence. Here she shares with us the creative process behind the making of Our People.
From his earliest forays into fashion design, Jean Paul Gaultier utilized surprising and sometimes recycled materials. As a child, inspired by his grandmother’s corset, Gaultier repurposed crumpled newspaper to create the conical-shaped falsies that he attached to his beloved teddy bear, Nana. Entering its seventh year, Discarded to Divine—an event that auctions off designer duds made from donated clothing to benefit the homeless—exemplifies Gaultier’s earliest instincts to recycle with style and purpose.