November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.
In 2004 artist Matthew Picton laid a sheet of plastic over the cracks in the asphalt of a playground. He traced the cracks and painted them with black enamel paint. Then he carefully cut and burned away the plastic surrounding the cracks. What was left was a giant spidery web.
This post was written in collaboration wtih Jasmin Bode.
In plain sight or behind closed doors, in basements, or beneath manhole covers, lurk the myriad systems that support city life—drains, running water, sewage treatment, and fire-suppression, to name just a few. The Urbanauts, current de Young Artist Fellows Sean Orlando and Rebar, have tasked themselves with the exploration of this infrastructure and its relationship to the everyday experience of the contemporary city. Their investigations began last October and now—during the second phase of their fellowship—they present Systemic, an installation on view in the de Young’s Kimball Education Gallery that will evolve throughout the month of June. We recently spoke with the Urbanauts about their project.
Spring in San Francisco brings with it a season of art fairs, including artMRKT whose opening night preview reception this Thursday, May 16 benefits the Fine Arts Museums of San Francisco’s newly created New Acquisitions Fund. Featuring 70 galleries from around the globe, artMRKT provides a unique opportunity for museum professionals and art enthusiasts to gather, discuss, and view the world’s premier contemporary and modern art. This year, artMRKT includes a series of special lectures presented by several of our own curators, including Emma Acker, assistant curator of American art. We sat down with Ms. Acker to discuss the relationship between art fairs and museums, such as the de Young and the Legion of Honor.
Like any artist, December Artist-in-Residence Melissa Cody diligently does her research, and like a true innovator, she’s aware that you need to know the rules in order to break them. A fourth-generation Navajo weaver, Cody’s residency focuses on weaving and its relationship to communities and their environments. Although the main part of her residency takes place in public, she is also conducting research behind the scenes at the de Young.
For the past week, Max Fishko and company have been tirelessly converting the Concourse Exhibition Center from a cavernous abandoned train depot into artMRKT, San Francisco’s premier contemporary art venue. Tonight’s exclusive preview benefits the de Young and the Legion of Honor, so we thought we’d take you inside for a behind-the-scenes look at this remarkable transformation.
Next week the city of San Francisco will be flooded with art dealers and collectors, all clamoring to see the newest and brightest at the second annual artMRKT contemporary and modern art fair. The event’s opening festivities kick off this Thursday, May 17 and feature a preview reception benefiting the de Young and the Legion of Honor museums.
We recently sat down with artMRKT co-founder Max Fishko, a third-generation gallerist from New York City, to get his take on the contemporary art scene at large and in San Francisco.