January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies.
November Artist-in-Residence Ana Teresa Fernandez enacts and participates in the intersection of politics and personal identity through painting, performance, and video. Her work illuminates the barriers, both psychological and physical, that confine and divide gender, race, and class in western society and the global south.
Artist-in-Residence Tamar Assaf creates artwork articulating subtle social and ecological commentary on the environment. Her work raises awareness of the human influence on animals in the wild and how entire ecosystems function as a delicate balance of interdependencies. Throughout the month of August, Assaf invites visitors to engage in hands-on activities at the de Young as they experience
This month in the Artist Studio, glass artist Dana Zed is drawing museum goers into her world of mirrors and reflection. Including the public in the process of art making is integral to the mission of the Artist in Residence program, but working within the Kimball Education Gallery and with the public often results in surprising collaborations, as Zed has discovered.
Posted by guest blogger Dana Zed.
December Artist-in-Residence Genevieve Quick examines the history and wonder of telescopes, Victorian projectors, photography and space-age satellites. In The Lens Lab (on view through December 31, 2011, in the Kimball Education Gallery), Quick invites the public to interact with her hand-fabricated cameras. Participants are encouraged to use her modified cameras to photograph the museum and its grounds.
November artist-in-residence John Wehrle has been creating really big art since 1975. He specializes in site-specific public artworks, and his projects include mural-size paintings for interior and exterior walls as well as elaborate architectural installations that integrate text, painting, ceramic tile, and relief sculpture. Wehrle is working in the Kimball Education Gallery through November 25.
Commissioned by the de Young Museum’s Cultural Encounters Program during Todd Brown’s July 2009 tenure as Artist-in-Residence, Invisible Passage is now back on display in the Kimball Education Gallery as part of his current Artist Fellows project. The painting, measuring 33 feet by 9.5 feet, is Brown’s largest work to date.
The second week at the Kimball was a blast with Friday night being the highlight.
For the museum, it was the perfect storm of events combining with the Orsay exhibition still going strong, permanent galleries free, and the start of the 6th year of Friday Night Fun. We had a lot of visitors so more people got to make their own totem boats and got to know about Spirit Boats.
An important part of this Kimball residency is to hold a space that invites people to travel within a safe and welcoming place. Leo designed lettering and painted the walls with directions and associated elements as per the Toltec tradition. This helps set the stage and gives people a familiar and useful reference.
I was asked a few weeks ago if I needed pedestals for my Kimball Gallery residency.