One of the most remarkable moments in Pissarro’s People (on view at the Legion of Honor through January 22, 2012) comes toward the end of the exhibition in the form of an album of pen and ink drawings entitled Turpitudes sociales (“social turpitude,” or disgraces).
Throughout art history, politics have inspired, informed and incited the cultural production of artists throughout the world. In today’s context of social and political unrest, the subject seems particularly relevant. Two major exhibitions in San Francisco and New York currently bookend the country with the art and politics of the radical left. In both Pissarro’s People (on view at the Legion of Honor through January 22, 2012) and Diego Rivera: Murals for the Museum of Modern Art (on view at the Museum of Modern Art through May 14, 2012), the political beliefs of the artists are placed front and center.