The de Young Museum previews its new iPhone application dYinterpretations: A Journey through the de Young with Filmmaker-in-Residence Lise Swenson on Friday, February 11, during the museum’s weekly event Cultural Encounters: Friday Nights at the de Young. Museum lovers will be given the opportunity to download the new app for free in the iTunes App Store between the hours of 9 am and 9 pm prior to its official release on March 1 for $2.99.
Posted by Andrea Martin on February 10, 2011
Posted by Lesley Bone on February 3, 2011
The objects conservation lab is busy doing their part for the installation of Olmec: Colossal Masterworks of Ancient Mexico. So what exactly is a conservator’s role when dealing with huge, monolithic objects?
Posted by Arielle Hambrecht on January 20, 2011
Even in a museum environment, objects can become dusty and it is the responsibility of the objects conservation department to dust each artwork. We sometimes dust artworks when visitors are in the galleries and we have noticed that many people are curious about what we are doing. Here is a brief selection of the most common questions about dusting artworks and our responses:Assistant Conservator Alisa Eagleston dusting the suspended Ruth Asawa sculptures.
Posted by Cynthia Inaba on January 5, 2011
Corinne Okada Takara completed a residency in the Kimball Education Gallery two years ago. Her project, Rhythms in Space, explored the assembly of recycled materials into airy three-dimensional tapestries and wearable art, while presenting a visual footprint of diverse cultures in the Asian diaspora. She pulled various motifs from the museum collection, along with visual patterns observed in the museum's surroundings. Visitors created tapestries from these images using wire, netting, and other recycled materials.
Posted by Lesley Bone on December 21, 2010
Viola Frey’s monumental sculpture, Man Observing Series II, is back from its travels! This is a larger than life sized sculpture made of 13 heavy sections of glazed earthenware ceramics. Teamwork by staff at the Fine Arts Museums of San Francisco returned the sculpture to its original home in the Saxe Gallery at the de Young.