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The Scottish Visitors: Lady Agnew of Lochnaw

John Singer Sargent 1856–1925, Lady Agnew of Lochnaw (1865–1932), 1892. Oil on canvas, 125.7 x 100.3 cm (49½ x 39½ in). Scottish National Gallery, Edinburgh. Purchased with the aid of the Cowan Smith Bequest Fund, 1925 (NG1656).

The next in our weekly series of Scottish visitors is Lady Agnew, who sat for John Singer Sargent at the age of 27. Her pose is "notably langorous," possibly because she was recovering from a period of nervous exhaustion at the time. The except below is from the  exhibition catalog for Botticelli to Braque: Masterpieces from the National Galleries of Scotland, available for purchase in the Museum Store.

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The Scottish Visitors: Colonel Alastair Ranaldson Macdonell
Sir Henry Raeburn 1756–1823, Colonel Alastair Ranaldson Macdonell, 15th Chief of Glengarry (1771–1828), about 1812, Oil on canvas, 241.9 x 151.1 cm (95¼ x 59½ in), Scottish National Gallery, Edinburgh, Purchased 1917 (NG420).

Sir Henry Raeburn 1756–1823, Colonel Alastair Ranaldson Macdonell, 15th Chief of Glengarry (1771–1828), about 1812, Oil on canvas, 95¼ x 59½ inches, Scottish National Gallery, Edinburgh, Purchased 1917 (NG420).

There’s a full cast of characters in Botticelli to Braque: Masterpieces from the National Galleries of Scotland—everyone from a Tahitian temptress painted by Paul Gauguin, to a rowdy Dutchman by Frans Hals. But there are also plenty of Scots, and once a week we'll highlight one of them by excerpting a section from the exhibition catalog, available for purchase in the Museum Store.

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The View from LA
Joseph Mallord William Turner Norham Castle, Sunrise, ca.1845 Oil on canvas 35 ¾ x 48 in. (90.8 x 121.9 cm) Tate London Image © Tate, London 2014

Joseph Mallord William Turner, Norham Castle, Sunrise, ca.1845. Oil on canvas, 35 ¾ x 48 in. (90.8 x 121.9 cm).
Tate London. Image © Tate, London 2014

From our pen pals at the Getty: What J. M. W. Turner might have loved about the City of Angels. J. M. W. Turner: Painting Set Free, currently at the Getty, heads to the de Young on June 20; stay tuned for why we think Turner should have left his heart in San Francisco.

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Your Favorite Tool: Kolinsky sable spotter brush

Once a month, we ask the current Artist-in-Residence at the de Young to tell us about a tool they use in their work, or that they otherwise find particularly interesting.

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Your Favorite Tool: Drop Spindle

Once a month, we ask the current Artist-in-Residence at the de Young to tell us about a tool they use in their work, or that they otherwise find particularly interesting.

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Hats Off!
The bonnets are ancient accordions in dark silk, and the calot is a waterfall of lavender. The Mongolian hat is a golden peak rising from a ruff of fur, and comes with a little set of earmuffs to match.
 
The Textile Lab at the de Young stores and maintains these hats and nearly 500 more, all part of the Museums’ huge textile collection.  

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