Consisting of approximately 250 artworks, Rembrandt’s Century presents a diverse picture of the art and personalities that defined the Dutch Golden Age. Drawn entirely from the Museums’ permanent collection of works on paper in the renowned Achenbach Foundation for Graphic Arts, this exhibition required months of preparation. Curators, conservators, and art technicians worked together to frame—both literally and figuratively—this important selection of masterworks.
De Young Artist Fellows Andy Diaz Hope and Laurel Roth are preparing for the final installation of their monumental triptych The Conflicts. Get a sneak peek at the culminating exhibition of their fellowship in the group show Punch Card, opening at Catharine Clark Gallery this Saturday, January 19, 2013. Hope and Roth will present the completed tapestries at the de Young in the Artist Studio throughout the month of March. In this blog post, Hope and Roth examine the role technology has played in the process of creating this work.
Like any artist, December Artist-in-Residence Melissa Cody diligently does her research, and like a true innovator, she’s aware that you need to know the rules in order to break them. A fourth-generation Navajo weaver, Cody’s residency focuses on weaving and its relationship to communities and their environments. Although the main part of her residency takes place in public, she is also conducting research behind the scenes at the de Young.
Like or not, the holiday gift-giving season is upon us, the time of year we begin making a list and checking it twice. It’s a good thing that Christmas and Hanukkah only come around once a year, what with all the stress gift selection causes. In 17th- and 18th-century France, however, the fine art of gift giving was a yearlong endeavor. Many objects on display at the Legion of Honor in the special exhibition Royal Treasures from the Louvre: Louis XIV to Marie-Antoinette are representative of the highly developed gift-giving culture utilized by the monarchy to solidify its rule.
Sèvres Porcelain Manufactory (France, established 1756). Vase: “Jardin á dauphins,” 1781. Hard-paste porcelain. Musée du Louvre, Département des Objets d’Art.
This week, de Young Artist Fellow Monique Jenkinson debuts Instrument, the culminating performance of her yearlong fellowship. Inspired in part by the special exhibition Rudolf Nureyev: A Life in Dance (on view at the de Young through February 17, 2013), the performance piece will make its world premiere at CounterPULSE, a collaborating partner, on November 29. To create Instrument, Jenkinson partnered with three different choreographers, with each collaboration taking place in isolation. All three choreographers remain unaware of the work of the other two participants, and like us, they will not see the work in its entirety until the premiere.
This is the final post in a three-part series documenting Jenkinson’s work with each of these diverse choreographers. Chris Black, falls somewhere between the experimental process of Miguel Gutierrez and the more structured ballet techniques of Amy Seiwert.