FAMSF Blog

Modern Nature Revealed

In this Q&A Timothy Anglin Burgard, Fine Arts Museums of San Francisco curator in charge of American art, answers all your burning questions about Modern Nature: Georgia O’Keeffe and Lake George, on view through May 11 at the de Young.

The entrance to the exhibition Modern Nature: Georgia O'Keeffe and Lake George
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de Young at Heart

I admit it: I LOVE museums. I have a sense of wonder every time I walk into one, and (obviously) art museums are among my favorites. But sometimes my kids get a little bored or start to complain after an overdose of paintings and sculptures, so I was thrilled last month when the de Young was transformed into a magical wonderland where children and their families romped, danced, and experienced art in a whole new way. The de Youngsters: A Bigger Family Party, the inaugural celebration of the next generation of museum-goers and art patrons, brought children, parents, and the Fine Arts Museums of San Francisco together for a night of pure joy.

Jugglers performing on top of Andy Goldsworthy's Drawn Stone in Diller Court
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Behind the Screens of the Google Art Project

When I joined the Fine Arts Museums of San Francisco as an intern nearly a year ago, I was charged with the dream-of-a-lifetime task of adding works from the de Young’s collection to the Google Art Project, an online collections database.

Google Art Project at the de Young
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Q&A with January Artist-in-Residence John Zaklikowski

January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies. 

Portrait of the artist wearing glasses and drinking a cup of coffee
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The Art Editor's Library

Before I joined the Fine Arts Museums seven years ago as an editor, I did not know such a job existed in the museum world. It is not a role that merits much attention—in fact, the more invisible the editor’s hand, the better. But if you look around at the museums, you will understand how important an editor is. From humble signage directing your way to hefty exhibition catalogues, a huge range of text in a variety of forms is issued by the Museums, all reviewed by a team of three editors in the publications department.

A shelf filled with books
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Conserving Matisse at SFMOMA

In keeping with the collaborative spirit of Matisse from SFMOMA, currently on view at the Legion of Honor, we’ve teamed up with SFMOMA to bring you this blog post, which originally appeared on SFMOMA’s Facebook page.

The backside of a painting with labels detailing its world travels
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