Blog Category: de Young

Poems by Kim Shuck, June 2010 Artist-in-Residence

Over and
Out past the lines

Poems from the residency

Kim Shuck
June 2010

Morning Prayer 2010
Sing me a song of beans and crows at breakfast this
Morning's riot of Queen Anne's Lace at the foot of
Stairs which, let's face it, wouldn't even make good firewood the
Plums in their own ceremony of fixing sugars
Sing me a song of silliness and horses of
Feeling your way around a curve of an image that will
Tear you up, you can't forget to cry that
Dust that water off of the cypress bough

Sing me a song of yellow horses of
Horses bright as backyard plums of that
Redtail, he's wondering if my beads are
Food and if he can get through the glass and have them

Sing of being weary, of being good to each other please
Sing something sort of quiet something that won't

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Introduction of Jeanine Briggs' "Transfigurations", July 2010 Artist-in-Residence by Gregory Stock, Education Intern

Walking into the Kimball Education gallery this month, a visitor might experience a childhood flashback of placing collector cards in the wheel spokes of your first bike, or scenes from Pixar’s recent film, WALL-E. In Jeanine Briggs' Transfigurations, the artist-in-residence incorporates trash and found materials in a variety of forms including small characters, masks, and full body representations.

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"Am I really going to talk about the purpose(s) of art?" by Kim Shuck, June 2010 Artist-in-Residence

One guest during my residency mentioned that he liked the larger canvas of a vest better than, say, a small pouch. I think I smiled and nodded at the time. It was towards the end and my desire to take up each and every teachable moment had waned somewhat. I've slept some now so: I don't make my work for entirely decorative reasons.

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"It's a wrap" by Kim Shuck, June 2010 Artist-in-Residence

On the way past the bandshell I noticed that the puddle the squirrels were drinking out of yesterday had dried up. Fog all gone... It's quite hot actually.

 

 

More feathers.

 

 

The various animals didn't come around today. There were human visitors of varying sorts. I'm embarrassed to admit the major focus of the day. It wasn't profound. Mostly just feathers.

 

 

I left the lights down when I came in, opened the blinds for light and started in on the beading: feathers and feathers.

 

 

The group project proceeds. I'm beading feathers.

 

 

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"Whoop de do" by Kim Shuck, June 2010 Artist-in-Residence

It's been a long month and my brain is getting sluggish. Fortunately there were many people I liked around today.

I gave an interview and found out how tired I am then headed in to work. Gallery time was relatively uneventful. One lovely man from London came in to chat, as did natoyiininastumiik. The latter was wearing some of my beading, always interesting to see things after I've sent them to their lives. Good conversations were had. The man from London was very well informed, both about art and some obscure Native/Irish history that is generally... well... not known. He also did a thing which reminded me of why this residency has been a bit challenging for me personally. It's something that I forget. I understand why it happens. It does cause some friction sometimes.

 

 

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"I knew I'd miss Michael..." by Kim Shuck, June 2010 Artist-in-Residence

Another magical foggy day. This time with tomatoes and raspberries. Well, that and my first official day without Mr. Horse. I knew it was going to be difficult so I brought fruit. Fruit and Knopfler and Clapton... I also had Intern Extrordinaire Mlle. Megan. Bob the sitting ball was there too. Life could have been harder. Still... even with all of that and the buffalo hunt on the wall... it was slightly difficult. I'm a creature of habit.

 

 

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