Blog Category: de Young

FRAME|WORK: Untitled (Stack) by Peter Voulkos

Matter + Spirit: The Sculpture of Stephen De Staebler, currently on view at the de Young, presents a retrospective of the artist’s work. This week’s FRAME|WORK draws attention to De Staebler’s mentor, Peter Voulkos. A renowned sculptor and teacher, Voulkos was hugely influential in the world of ceramics and the Bay Area in particular. Untitled (Stack) is currently on view at the de Young in Gallery 5.

Untitled (Stack), 1980

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Museum Without Walls: A Studio Visit with Todd T. Brown

In continuation of our series Museum Without Walls, we visited Todd T. Brown’s studio as he prepares for his final exhibition as an Artist Fellow at the de Young. Inheritance and Dreams will be on display in the Kimball Education Gallery February 1–12.

Todd T. Brown

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FRAME|WORK: Eléphantaisie by Pierre Dubreuil

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature a classic photograph by Pierre Dubreuil. If you missed Eléphantaisie when it was on view in Impressionist Paris: City of Light, you will no doubt enjoy this virtual viewing.

Eléphantaisie

Pierre Dubreuil (French, 1872–1944). Eléphantaisie, 1908. Gelatin silver print. Museum purchase, Prints and Drawings Art Trust Fund. 2009.29

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What's the Matter: Conserving the Sculpture of Stephen De Staebler

Matter + Spirit: The Sculpture of Stephen De Staebler presents the work of an artist who used a variety of materials ranging from metal to clay to create lasting works of art. Working with stoneware and sometimes porcelain, De Staebler built monumental sculptures that pushed the limits of the media and extended the boundaries of how these materials had been used in the past.

Standing Woman and Standing Man, 1975

Stephen De Staebler, Standing Woman and Standing Man, 1975. Pigmented stoneware and porcelain with surface oxides. Courtesy of Paul Thiebaud Gallery, San Francisco. Artwork © Estate of Stephen De Staebler.

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Bird Bath: The Conservation of a William Morris Textile

The British Aesthetic Movement, which is the subject of the upcoming exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 opening at the Legion of Honor on February 18, promoted the integration of beauty and art into every aspect of life. William Morris (1834–1896) was a chief proponent of the Aesthetic Movement and contributed luxe designs for wallpaper, carpets, tiles, and furniture. His career as a textiles designer, however, quickly surpassed his involvement with all other areas of artistic production.

Bird wall hanging, 1878

William Morris (English, 1834–1896). Bird wall hanging, 1878 (detail). Wool jacquard woven doublecloth. Museum purchase, Art Trust Fund. 1996.47

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January Artist in Residence Dana Zed

This month in the Artist Studio, glass artist Dana Zed is drawing museum goers into her world of mirrors and reflection. Including the public in the process of art making is integral to the mission of the Artist in Residence program, but working within the Kimball Education Gallery and with the public often results in surprising collaborations, as Zed has discovered.

Posted by guest blogger Dana Zed.

Dana Zed

Photo by Todd Marshard

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