Blog Category: community

In Memoriam: Merle Greene Robertson, 1913–2011

It is with great sadness that the Fine Arts Museums of San Francisco mourn the passing of Merle Greene Robertson. A legend in the world of Mesoamerican studies and Maya epigraphy, Robertson has been a friend and consultant to the Museums for decades. She generously donated many of her unique rubbings made from the monuments of Chichen Itza, a large Maya center that flourished on the Yucatan Peninsula of Mexico after AD 800. These rubbings provide clear renderings of detailed Maya stone carvings and are an important aspect of the Museums' Mesoamerican holdings.


© 2008 Ron Henggeler
 
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Art in the Summer for Kids at the de Young

Kids at Art in the Summer camp at the de YoungThis summer, make your kid an artist—join us for art camp at the de Young Museum!

The de Young presents the second edition of Art in the Summer, June 20–August 12 for children entering kindergarten to fifth grade. This year, the program offers a broader selection of activities. Children are invited to participate in a full day of art classes running Monday–Friday from 9 am–3 pm with an optional open studio from 3–5:30 pm. Children are divided into three groups according to grade level.

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When the earth shakes, come to the de Young!

In 2009, senior registrar Stephen Lockwood came across a series of ledger books while examining the de Young’s offsite storage facility. These antique books contained detailed records of the weather and daily attendance at the de Young since its opening day in 1895. One entry was particularly interesting:

"5:15 AM, Wednesday, April 18/06. Terrific Earthquake which demolished the building and destroyed many of the exhibits.  --John W. Rogers, Curator"

Below this entry, Rogers adds the note, "Museum closed indefinitely." The next entry wasn’t made until November 10, 1907.

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Poems by Kim Shuck, June 2010 Artist-in-Residence

Over and
Out past the lines

Poems from the residency

Kim Shuck
June 2010

Morning Prayer 2010
Sing me a song of beans and crows at breakfast this
Morning's riot of Queen Anne's Lace at the foot of
Stairs which, let's face it, wouldn't even make good firewood the
Plums in their own ceremony of fixing sugars
Sing me a song of silliness and horses of
Feeling your way around a curve of an image that will
Tear you up, you can't forget to cry that
Dust that water off of the cypress bough

Sing me a song of yellow horses of
Horses bright as backyard plums of that
Redtail, he's wondering if my beads are
Food and if he can get through the glass and have them

Sing of being weary, of being good to each other please
Sing something sort of quiet something that won't

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Introduction of Jeanine Briggs' "Transfigurations", July 2010 Artist-in-Residence by Gregory Stock, Education Intern

Walking into the Kimball Education gallery this month, a visitor might experience a childhood flashback of placing collector cards in the wheel spokes of your first bike, or scenes from Pixar’s recent film, WALL-E. In Jeanine Briggs' Transfigurations, the artist-in-residence incorporates trash and found materials in a variety of forms including small characters, masks, and full body representations.

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