Blog Category: community

Artist-in-Residence Glenda Joyce Hape Harvests Flax in Golden Gate Park

One of the many goals of the Artist-in-Residence program at the de Young Museum is to explore connections between the artists and the surrounding park environment. These connections enrich our museum visitors' experience through the guest artists' explorations and interpretations. Visiting artists from around the globe offer a unique experience to learn about natural materials found right here in Golden Gate Park.

Māori artist Glenda Hape uses flax to weave and create contemporary art. There are more than 7,500 exotic plant species surrounding the de Young in Golden Gate Park, including several types of ornamental flax. The species of flax Glenda needed to continue her weaving projects in the Kimball Gallery is called Phormium tenax, also known as New Zealand flax (or harakeke in the Māori language). Last week, Glenda explained how difficult it is to harvest the materials she uses in her artistic practice, but with the assistance of Andy Stone, gardner and park supervisor for the San Francisco Recreation and Parks, Glenda's harvesting trip around Stowe Lake was bountiful and she found just the right flax (harakeke).

Fan shaped flax bush

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Finding Hidden Treasures at the San Francisco Fall Antiques Show

The annual San Francisco Fall Antiques Show (SFFAS) has longstanding ties with the Fine Arts Museums, sharing benefactors, lenders, board members, and volunteers, including special project curator of European Decorative Arts and Sculpture, Maria Santangelo. For the past several years, Santangelo has donated her curatorial capabilities to the exhibition that serves as the centerpiece of the fair.

Maria Santangelo

Maria Santangelo

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An Interview with October Artist-in-Residence Glenda Joyce Hape

The Artist-in-Residence program resumes this month in the Kimball Education Gallery with Glenda Joyce Hape, a Māori artist from New Zealand. Glenda is a weaver who combines traditional and contemporary techniques and materials to create Māori kakahu, or cloaks. We recently sat down with Glenda to discuss her background, practice, and inspiration.

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FRAME|WORK: A Māori cloak

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature an exemplary Māori cloak from the Museums’ inaugural collections (currently on display at the de Young) in honor of the October Artist-in-Residence, Māori weaver Glenda Joyce Hape.

Chief's cloak, 19th century. Polynesia, New Zealand, North Island, West Coast, Wanganui region, Māori people. Flax, kiwi feathers, and commercial wool. Gift of M. H. de Young. 41520

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Celebrities in our Closets

Clothes tell a story. Here at the Fine Arts Museums, our closets are filled with gowns, costumes, and accessories worn by countless cultural icons of days gone by. Today we give you a rare glimpse into our vaults as we reveal some of the most famous skeletons in our closet!

Fred Astaire

We don’t have any top hats, white ties or tails worn by the light-as-air Mr. Astaire, but we do have this bright red Chinese costume (with shoes!) that he wore in the “Limehouse Nights” sequence of MGM’s film Ziegfeld Follies, 1944.

Jacket, pants and shoes for Chinese film costume, Fred Astaire, 1944. United States. Orange-red wool, red-gold lame, red suede. Theater and Dance Collection, gift of Mrs. Gladys Lloyd Robinson. T&D1962.115a-d

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Word Gallery: Granulation

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

Granulation

Fibula (Pin), 625–600 BC. Italy, Etruria. Gold. California Midwinter International Exposition, through M.H. deYoung. 391. Currently on view in the Hall of Antiquities on the Lower Level at the Legion of Honor.

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