Public programs

Art History: An Immersive Education

“The museum is a perfect environment within which to study art, there is none better,” says Dr. Maria Cheremeteff, professor of art history at City College of San Francisco.

Slides are projected onto a screen in a darkened old-fashioned theater

Art History 102: Western Art History, Byzantine Empire to 1800 taught in the Florence Gould Theater

Q&A with January Artist-in-Residence John Zaklikowski

January Artist-in-Residence John Zaklikowski has titled his residency Culture and Physics Collide, an apt description for his artwork which utilizes a wide variety of technological materials and meets at the intersection of art and science. His large-scale assemblages investigate notions of perception and optical illusion, illustrating the interplay of art, science, literature, and cultural studies. 

Q&A with August Artist-in-Residence Peggy Gyulai

August Artist-in-Residence Peggy Gyulai explores the connections between music and the expressive possibilities of paint on canvas in her work. She listens to and looks at music as a subject, object, inspiration, and—like Richard Diebenkorn—invokes the dynamic tension between the poles of abstraction and representation, creating substance from ephemeral phenomena.

Stories in Art from the de Young Summer Art Camp

This blog post was submitted by Ashley Harris.

It’s summertime at the de Young, which means that the museum’s Summer Art Camp is in full swing and the Hamon Education Tower has been filled with talented young artists and creative energy. During week one, campers explored the theme of “Mixed Media Madness,” creating pieces that incorporated a range of materials and techniques including oil pastel and watercolor resist, splatter painting, masking, and plein air ink wash paintings. The incredible art making continued into week two as campers studied works in the de Young’s permanent collection and crafted their own pieces centered around the idea of “Stories in Art.”

Art inspired by the Japanese Tea Garden

Exploring Systemic with the Urbanauts

This post was written in collaboration wtih Jasmin Bode.

In plain sight or behind closed doors, in basements, or beneath manhole covers, lurk the myriad systems that support city life—drains, running water, sewage treatment, and fire-suppression, to name just a few. The Urbanauts, current de Young Artist Fellows Sean Orlando and Rebar, have tasked themselves with the exploration of this infrastructure and its relationship to the everyday experience of the contemporary city. Their investigations began last October and now—during the second phase of their fellowship—they present Systemic, an installation on view in the de Young’s Kimball Education Gallery that will evolve throughout the month of June. We recently spoke with the Urbanauts about their project.

Urbanauts mapping urban exploration

Photo by Adrian Arias

Art: The Next Generation

It’s hard to believe that almost 20 years have passed since the de Young hosted the first student showcase. This week’s Friday Nights at the de Young features the 17th annual New Generations Student Showcase! This year’s theme, Everyday Worlds: Exteriors and Interiors, is inspired by the special exhibitions currently on view at the de Young, including Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, Eye Level in Iraq: Photographs by Kael Alford and Thorne Anderson, and Objects of belief from the Vatican: Art of Africa, Oceania, and the Americas.

Close looking

Art + Technology = Tapestries

De Young Artist Fellows Andy Diaz Hope and Laurel Roth are preparing for the final installation of their monumental triptych The Conflicts. Get a sneak peek at the culminating exhibition of their fellowship in the group show Punch Card, opening at Catharine Clark Gallery this Saturday, January 19, 2013. Hope and Roth will present the completed tapestries at the de Young in the Artist Studio throughout the month of March. In this blog post, Hope and Roth examine the role technology has played in the process of creating this work.

Gallery shot

Instrument in Progress: Chris Black

This week, de Young Artist Fellow Monique Jenkinson debuts Instrument, the culminating performance of her yearlong fellowship. Inspired in part by the special exhibition Rudolf Nureyev: A Life in Dance (on view at the de Young through February 17, 2013), the performance piece will make its world premiere at CounterPULSE, a collaborating partner, on November 29. To create Instrument, Jenkinson partnered with three different choreographers, with each collaboration taking place in isolation. All three choreographers remain unaware of the work of the other two participants, and like us, they will not see the work in its entirety until the premiere.

This is the final post in a three-part series documenting Jenkinson’s work with each of these diverse choreographers. Chris Black, falls somewhere between the experimental process of Miguel Gutierrez and the more structured ballet techniques of Amy Seiwert.

MoniqueBlack1

Choreographer as Sculptor: Instrument in Progress

De Young Artist Fellow Monique Jenkinson is putting the finishing touches on Instrument, the culminating performance of her yearlong fellowship inspired in part by Rudolf Nureyev: A Life in Dance (on display at the de Young through February 17, 2013). To create this work, Jenkinson invited three choreographers to make movement on her body, which she’ll integrate with her own choreography. In October, we posted about the first of these three collaborations, and today, we check in with Jenkinson and choreographer Amy Seiwert in the second installment in this three-part blog series.

Seiwert5

Instrument in Progress

Tonight, Friday Nights at the de Young features work in progress by Artist Fellow Monique Jenkinson (aka Fauxnique). As part of the creation of her original work, Instrument, Jenkinson is working with three different choreographers in an experimental process designed to enact, expose, and undermine the roles of the dancer as workhorse and the choreographer as auteur. The presentation tonight will be a rare opportunity to witness the development of Instrument, inspired in part by Rudolf Nureyev: A Life in Dance (on display at the de Young through February 17, 2013). The first in a series of three, today’s post focuses on the collaboration between Jenkinson and choreographer Miguel Gutierrez.

Monique dancing

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