Spring in San Francisco brings with it a season of art fairs, including artMRKT whose opening night preview reception this Thursday, May 16 benefits the Fine Arts Museums of San Francisco’s newly created New Acquisitions Fund. Featuring 70 galleries from around the globe, artMRKT provides a unique opportunity for museum professionals and art enthusiasts to gather, discuss, and view the world’s premier contemporary and modern art. This year, artMRKT includes a series of special lectures presented by several of our own curators, including Emma Acker, assistant curator of American art. We sat down with Ms. Acker to discuss the relationship between art fairs and museums, such as the de Young and the Legion of Honor.
Legion of Honor
One of the most exciting aspects of working in paper conservation at the Legion of Honor is the variety of objects encountered on a daily basis. When working on a 17th-century print, for example, conservation intern Laura Neufeld faced many traditional paper conservation challenges. Pier Gustafson’s Father’s Suitcase, on the other hand, is a one-of-a kind artwork that required unique treatment solutions.
As an extensive national search to find a new director draws to a close, we look forward to making a public announcement soon. As we prepare to embark on the next chapter of our long history it’s a good time to reflect on the amazing success we’ve experienced over the past several years.
The Fine Arts Museums of San Francisco (FAMSF)—which comprises the de Young and the Legion of Honor—is one of the most successful organizations of its kind in the world. We operate under the highest standards of governance. It is because of our high standards that we are a flourishing art institution that continues to exceed expectations both financially and artistically.
Our organization is among the largest and most respected art institutions in the country. Due to the efforts of our talented staff and dedicated Board of Trustees, we have been able to bring to San Francisco some extraordinary exhibitions such as:
- Tutankhamun and the Golden Age of the Pharaohs
- Birth of Impressionism: Masterpieces from the Musée d’Orsay
- Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d’Orsay
- Girl with the Pearl Earring: Dutch Paintings from the Mauritshuis
- And, coming in 2013, David Hockney: A Bigger Exhibition
Almost as soon as the Salon Doré was de-installed from Gallery 11 late last year, the comprehensive conservation and restoration project began (and continues today in full view of the public in Gallery 13). Before a single component of the room was removed, however, months of planning and research went into readying the Salon Doré for this massive undertaking.
The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments.
As the digital media interpretive media fellow at the de Young and the Legion of Honor, my primary role is to digitally document and interpret the yearlong project The Salon Doré: The Conservation of a Period Room, currently underway at the Legion of Honor.
Consisting of approximately 250 artworks, Rembrandt’s Century presents a diverse picture of the art and personalities that defined the Dutch Golden Age. Drawn entirely from the Museums’ permanent collection of works on paper in the renowned Achenbach Foundation for Graphic Arts, this exhibition required months of preparation. Curators, conservators, and art technicians worked together to frame—both literally and figuratively—this important selection of masterworks.
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