Exhibitions

When Paper is More than a Surface

Paper is fundamental to traditional printmaking, but paper as a medium can be as diverse as the images printed on its surface. Surface Tension: Contemporary Prints from the Anderson Collection (on view at the de Young through January 15, 2012) puts paper front and center, exploring the ways in which artists from the late 1960s to today engage paper as more than just a surface.

Though no ink touched the paper in Josef Albers's Embossed Linear Construction series (1969),  he used embossing, a traditional printmaking process, to transform ordinary sheets of watercolor paper into subtle bas-relief constructions that extend into the viewer’s space.

Josef Albers (American, 1888–1976). Embossed Linear Construction 2-D, from a portfolio of 8 inkless embossings, 1969. Inkless embossing on 300-gram Arches watercolor paper. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.17.8

More Real than Real: The Photography of Ralph Eugene Meatyard

Photographs, a ubiquitous component of contemporary life, serve as an ever-evolving record of our lives and those of our friends and family. Children provide an immediate source of inspiration, and many new parents quickly adopt the role of amateur photographer.

Word Gallery: Still Life

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques or movements in art.

The Kilims of Caroline and H. McCoy Jones

In 1980, H. McCoy Jones announced that he and his wife, Caroline, would donate his entire private collection of more than six hundred Central Asian carpets to the Fine Arts Museums. Two years later, Cathryn M. Cootner was appointed as the de Young’s first textile curator (her tenure as curator-in-charge would run through 1995). Cootner’s robust acquisition and exhibition program transformed the Museums into a well-respected repository for high quality textiles and oriental rugs. Chief among these was a watershed exhibition of Caroline McCoy-Jones’s unsurpassed collection of Anatolian kilims in 1991. We took a moment to sit down with Cathy Cootner to reflect on the McCoy Joneses and their spectacular kilims twenty years later.

Finding Picasso

While the museum is closed to the public most Mondays, it welcomes hundreds of students and teachers to visit special exhibitions, such as Picasso: Masterpieces from the Musée National Picasso, Paris. You may nostalgically remember this kind of field trip as day off from the classroom, but the education department’s school programs team makes the field trip a “day on” for young learners.

The Truth about Alabaster

You may have heard the term alabaster used to describe the pristine skin of a beautiful woman or the smooth surface of statue, as in the case of The Mourners: Tomb Sculptures from the Court of Burgundy, on view at the Legion of Honor through December 31.

Jean de La Huerta and Antoine le Moiturier. Mourner no. 55, mourner with head uncovered, wiping his tears on his cloak with his right hand, 1443–1456/57. Alabaster. Musée des Beaux-Arts de Dijon. Photo © FRAME (French Regional and American Museum Exchange) by Jared Bendis and François JAY.

Word Gallery: Workshop

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

FRAME|WORK: An Extraordinary Kilim from the Caroline and H. McCoy Jones Collection

FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a monumental kilim that will be featured prominently in the upcoming exhibition The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection, which opens September 10.

Kilim, 17th century. Turkey, Anatolia, Aegean region, Usak Province. Wool; slit-tapestry weave. 383.5 x 182.9 cm (151 x 72 in.). The Caroline and H. McCoy Jones Collection, gift of Caroline McCoy-Jones. 2003.87.4

Word Gallery: Passage

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

A Life of Books: Remembering David Logan

Favorite Things: An Exhibition of Artist Books in Memory of David Logan, 1918–2011, a selection of books from the Reva and David Logan Collection of Illustrated Books, is currently on view at the Legion of Honor in through February 12, 2012. 

Comprising approximately 300 volumes, the Logan Collection is one of the foremost collections of modern artists’ books (also called livres d’artiste, or illustrated books) to find a home within a museum.

David and Reva Logan

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