Exhibitions

Will Work for Art: Ashley Stropes Brown

"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take into the glamorous world of the Museums' development department with Ashley Stropes Brown, the manager of membership and development events. Originally from Laguna Niguel, California, Ashley has been with the Museums for a little over five years.

A Holiday Wish List

Are you still searching for the perfect gifts and best deals? Well, look no further! This week is cyber shopping week at the Fine Arts Museums' online store. Shop an array of unique and artful items exclusive to the Museums' online store, where you'll receive 15% off all regular price merchandise and 20% off our entire stock of holiday cards and calendars through Sunday, December 4!

Word Gallery: Chiaroscuro

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

Masters of Masquerade

As we simultaneously prepare for Halloween and the opening weekend of Masters of Venice: Renaissance Painters of Passion and Power from the Kunsthisorisches Museum, Vienna (which opens tomorrow, October 29), what better topic to kick off the festivities than a post about the sumptuous tradition of masquerade?

Finding Hidden Treasures at the San Francisco Fall Antiques Show

The annual San Francisco Fall Antiques Show (SFFAS) has longstanding ties with the Fine Arts Museums, sharing benefactors, lenders, board members, and volunteers, including special project curator of European Decorative Arts and Sculpture, Maria Santangelo. For the past several years, Santangelo has donated her curatorial capabilities to the exhibition that serves as the centerpiece of the fair.

Word Gallery: Impressionism

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. Enter into the art historical word gallery, where we provide some definitions commonly used to describe artistic styles, techniques, or movements in art.

Impressionism

When Paper is More than a Surface

Paper is fundamental to traditional printmaking, but paper as a medium can be as diverse as the images printed on its surface. Surface Tension: Contemporary Prints from the Anderson Collection (on view at the de Young through January 15, 2012) puts paper front and center, exploring the ways in which artists from the late 1960s to today engage paper as more than just a surface.

Though no ink touched the paper in Josef Albers's Embossed Linear Construction series (1969),  he used embossing, a traditional printmaking process, to transform ordinary sheets of watercolor paper into subtle bas-relief constructions that extend into the viewer’s space.

Josef Albers (American, 1888–1976). Embossed Linear Construction 2-D, from a portfolio of 8 inkless embossings, 1969. Inkless embossing on 300-gram Arches watercolor paper. Anderson Graphic Arts Collection, gift of the Harry W. and Mary Margaret Anderson Charitable Foundation. 1996.74.17.8

More Real than Real: The Photography of Ralph Eugene Meatyard

Photographs, a ubiquitous component of contemporary life, serve as an ever-evolving record of our lives and those of our friends and family. Children provide an immediate source of inspiration, and many new parents quickly adopt the role of amateur photographer.

Word Gallery: Still Life

Throughout art history, scholars have devised a special vocabulary to talk about art. These terms are very useful, but they are not always self-explanatory. So we thought we'd take you into the art historical word gallery to provide some definitions commonly used to describe artistic styles, techniques or movements in art.

The Kilims of Caroline and H. McCoy Jones

In 1980, H. McCoy Jones announced that he and his wife, Caroline, would donate his entire private collection of more than six hundred Central Asian carpets to the Fine Arts Museums. Two years later, Cathryn M. Cootner was appointed as the de Young’s first textile curator (her tenure as curator-in-charge would run through 1995). Cootner’s robust acquisition and exhibition program transformed the Museums into a well-respected repository for high quality textiles and oriental rugs. Chief among these was a watershed exhibition of Caroline McCoy-Jones’s unsurpassed collection of Anatolian kilims in 1991. We took a moment to sit down with Cathy Cootner to reflect on the McCoy Joneses and their spectacular kilims twenty years later.

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