On Sunday night, millions of viewers tuned in to watch the much-anticipated season premiere of AMC’s Mad Men. Set in 1960s New York, Mad Men follows the careers and lives of Madison Avenue advertising executives as they negotiate the changing landscape of that mythologized decade. Currently on view at the de Young are three exhibitions that tap into this tumultuous time period: Arthur Tress: San Francisco 1964 (through June 3), New Dimensions: Prints and Multiples from the Anderson Collection (through July 1) and Matter + Spirit: The Sculpture of Stephen De Staebler (through May 13).
The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk (on view through August 19 at the de Young) reveals the limitless cross cultural influences at play in the work of Jean Paul Gaultier. Throughout his career, Gaultier has drawn inspiration from diverse formats ranging from film and television, technology, street and club culture, and, of course, music. Pop music and its reigning superstars have continuously stimulated the creative drive of fashion’s enfant terrible. Perhaps most famous for the iconic costumes created in collaboration with Madonna for her 1990 Blond Ambition tour, Gaultier has seamlessly integrated music and its larger-than-life personalities into his unique fashion world.
The designs of Jean Paul Gaultier often straddle the seemingly divergent worlds of haute couture and street fashion. To illustrate the profound influence of the street’s wild style on Gaultier’s designs, the museum commissioned San Francisco based artist Rio Yañez to create a 65-foot long graffiti mural, which will serve as the backdrop for the Punk Cancan section of the exhibition.
On view through June 10 in the Textiles Gallery at the de Young, The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection showcases extraordinary examples of flat-woven kilims from the 15th to the 19th century. Considered to be the most important group of Anatolian kilims outside of Turkey, these kilims are notable for their elaborate design patterns, unusual
William Morris, champion of the Aesthetic Movement, said of interior design, “Whatever you have in your rooms, think first of the walls.” Wallpaper was a defining decorative motif in the homes of the Victorian avant-garde and bourgeoisie alike. In keeping with this fashion, the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900
In celebration of the final days of Tutankhamun and the Golden Age of the Pharaohs, we present an interview with Alameda resident Peter Solmssen about his work with the original King Tut exhibition in the 1970s.
During that time, Mr. Solmssen served in the State Department as deputy ambassador-at-large for cultural affairs, and played an instrumental role in bringing Treasures of Tutanhkamun to the United States.
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