The designs of Jean Paul Gaultier often straddle the seemingly divergent worlds of haute couture and street fashion. To illustrate the profound influence of the street’s wild style on Gaultier’s designs, the museum commissioned San Francisco based artist Rio Yañez to create a 65-foot long graffiti mural, which will serve as the backdrop for the Punk Cancan section of the exhibition.
If there is one article of clothing associated with the Victorian Era, it is the corset. This Sunday, March 11, we continue our exclusive series of public programs for The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 with Visions of Beauty—Inside the Victorian Artists Salon, presented in partnership with Dark Garden Corsetry and the Pre-Raphaelite Brotherhood Artist Salon. We recently sat down with Autumn Adamme, the owner of Dark Garden and your guide to all things corseted, to discuss this controversial fashion icon.
Arthur Tress: San Francisco 1964 opens tomorrow at the de Young. Although the primary subject of the exhibition is the city we call home, many of the locations represented in the pictures were difficult to pin point. During his preparations for the exhibition, curator James Ganz tried to track down some of the more mysterious sites portrayed, which resulted in a San Francisco adventure of his own.
The integration of art and beauty into every aspect of life was one of the foremost tenets of the Aesthetic Movement. Artists who subscribed to this ideal stepped outside of the confines of their medium of choice and experimented with all variety of design: painters became furniture designers and architects designed textiles. This week’s FRAME|WORK features two luscious tapestries from the Museums’ permanent collections included in the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view at the Legion of Honor through June 17). Created by Edward Burne-Jones for Morris & Co., Flora and Pomona exemplify the aesthetics of the Aesthetic Movement.
On view through June 10 in the Textiles Gallery at the de Young, The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection showcases extraordinary examples of flat-woven kilims from the 15th to the 19th century. Considered to be the most important group of Anatolian kilims outside of Turkey, these kilims are notable for their elaborate design patterns, unusual
Tomorrow The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (February 18–June 17) opens at the Legion of Honor! Exactly 130 years ago, the tenets of the Aesthetic Movement were introduced to San Francisco by none other than Oscar Wilde.
This week’s FRAME|WORK, featuring John Roddam Spencer Stanhope’s luscious Love and the Maiden, will serve as the first in a series of posts examining a variety of themes present throughout the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (opening this Saturday, February 18). Stanhope’s allegorical painting will provide the backdrop for the discussion of topics ranging from artistic technique to the Aesthetic Movement’s color palette to the role of frames in the perception of an artwork.
Currently on view at the de Young and SFMOMA are two significant photography exhibitions—Ralph Eugene Meatyard: Dolls and Masks and Francesca Woodman, respectively. In this rare, behind-the-scenes look at the curatorial process, Julian Cox (of the de Young) and Corey Keller (of SFMOMA) discuss the elusive issues of artistic intention and practice, the mythology of the artist, and the position of Meatyard and Woodman in the history of photography.
William Morris, champion of the Aesthetic Movement, said of interior design, “Whatever you have in your rooms, think first of the walls.” Wallpaper was a defining decorative motif in the homes of the Victorian avant-garde and bourgeoisie alike. In keeping with this fashion, the special exhibition The Cult of Beauty: The Victorian Avant-Garde, 1860–1900
On February 18, The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 opens at the Legion of Honor. This Wednesday, February 1 at 2:30 p.m., the San Francisco Design Center presents The Aesthetic Movement and Interior Design, a panel exploring the movement’s enduring influence on interiors. The discussion will feature exhibition curator Dr. Lynn Federle Orr, design writer and editor Zahid Sardar, interior designer Geoffrey De Sousa and 3D Magazine editor-in-chief, Alisa Carroll.
In advance of this event, Ms. Carroll is today’s guest blogger.