In 1972, Chuck Close came to Oakland’s Crown Point Press with the express goal of mastering the art of printmaking. The special exhibition currently on view in the Anderson Gallery at the de Young Museum, Chuck Close and Crown Point Press: Prints and Processes , examines this groundbreaking period in the artist’s career. In an earlier post, we discussed the mezzotint print Keith in the context of its 40th anniversary. Today, we take a closer look at Chuck Close’s Self-Portrait, completed in 1977.
Artist-in-Residence Tamar Assaf creates artwork articulating subtle social and ecological commentary on the environment. Her work raises awareness of the human influence on animals in the wild and how entire ecosystems function as a delicate balance of interdependencies. Throughout the month of August, Assaf invites visitors to engage in hands-on activities at the de Young as they experience
For the past two weeks, the world watched athletes from the world over compete and triumph in the 2012 Olympic Games. Meanwhile, museums the world over competed on Twitter in the tongue-in cheek competition #MuseumOlympics, which originated right here in San Francisco. Willa Köerner, digital engagement associate at SFMOMA and today's g uest blogger, takes us behind the scenes of #MuseumOlympics and reveals the origins of what will surely become a new quadrennial tradition.
As guest blogger Kelsey Linton reports, this week at the de Young Summer Art camp, the goal was to encourage our campers to examine the sources of their creativity with the theme "Influences and Inspirations". Each day of class focused on a new artistic medium or a particular artist's work, which made this one of the busiest weeks yet! The Masters, the oldest group of the campers; the Artisans, the middle age group; and the Apprentices, the youngest group, all gathered
One of the most innovative components of the Artist Fellows program is the goal to reveal the process of artistic creation—the weeks (even years) of planning, the evolving ideas, and the constant back-and-forth that foments creativity. Throughout the month of July, Artist Fellow Sarah Wilson and her artistic partners, Catch Me Bird (C. Derrick Jones and Nehara Kalev), have been exhibiting this collaborative process as they work together to produce Off the Walls. A multimedia performance that melds Wilson’s dynamic jazz-oriented music with Catch Me Bird’s dance and aerial performances, Off the Walls is inspired by the painter Aaron Douglas, whose painting Aspiration is a highlight of the de Young’s American painting collection.
Love Letters from the Harlem Renaissance tells the story of the relationship between Alta Sawyer Douglas and her husband, Harlem Renaissance painter Aaron Douglas. Catch Me Bird’s C. Derrick Jones, the great nephew of this seminal American painter, shares his family’s story with guest blogger Elspeth Michaels. Tonight at Friday Nights at the de Young Jones will speak about the factors that propelled his great uncle to establish himself as one of the 20th century's visionary artists. This fall Catch Me Bird, in collaboration with Artist Fellow Sarah Wilson, will premiere a brand new production inspired by the art of Douglas entitled Off the Walls. The performance combines music, aerials, and dance as an expression of Douglas's painting Aspiration, which is currently on view in Wilsey Court.