June 4—A second foop
A few years ago I was given a set of meditation bells in a rosewood box. You were meant to tip the box over and some number of ball bearings inside would adhere to these sticky disks on the top of the box. Then when you flipped it back over the balls would gradually fall in varying patterns of sound. The reality was that you'd get the balls stuck and flip the box and about half of the balls would fall in one foop (foop here meaning flurry) then some time later another foop and so forth. I have not tipped that box in over a year but there are still some hold out bearings that every so often release and sound a bell. That happened this morning. I also got damp basement that had to be dried immediately. Today was pretty interesting, even before I got to the museum. I suppose that everything informs the work eh? So we had a massive foop on tuesday moving in, now we've had another foop. I imagine that at this point the balls fall more slowly.
June 4—A second foop
June 3—What is that smell?
No fewer than 4 people came into the gallery today with a pressing interest in the smell that our presence here is creating. In fact, the building guy came by to see what the smell was. A primer: really good hides are generally smoked. Both Michael and I are working on hide. He is working on a buffalo skin, I am beading on deerskin. My skins are smoked. Smoke smell is one that I don't even really notice anymore, but if anyone ever comes up with a perfume oil called "Wow that traditional dancer is hot looking" it will have sage and sweetgrass notes with a finish of smoked hide.
June Artist in Residence Kim Shuck will be sharing her journey with us in the Kimball Education Gallery over the next month. Please check back soon to see how how her and Michael's experience unfolds...
June 2—Opening the Show
The day began with a gathered group of friends in the Kimball. My dad even came, and he's usually a bit of a rumor at my shows. I'm aware that the de Young is a world class museum, what I also know is that museums in general are trying for a less imposing vibe. Frequently when Native people have been in museums it is in the form of unattributed work and/or ethnographic displays. This month is very different. No one is taking this residency lightly. Having said all of that, we managed to create the atmosphere of a fairly laid back household celebration. Well-known flute player, Ogi, started us off with some music. It was, as usual, inspiring. Kanyon Sayers-Roods welcomed us to Ohlone territory and sang her version of the Grandmother Song. Cathrine Hererra, local Native and filmmaker was present as friend and event archivist. Additionally, there were many friends/artists/family present to help us 'warm' the space. It was stellar. We had guests all the way through really... Jerry Ferraz, local poet, curator of readings and guitar virtuoso made us some music. Our good friend and elder Dav Pate was present in spirit and in the form of some of his work, which will be on display on a rotating basis throughout the month. Mary Jean Robertson, current holder of a Native Local Hero Award and DJ, came around with music on CDs for when the party died down. It really didn't today, but the time may come... I could not have hoped for a better "first real day in the gallery".
Frances Escobar will be retiring this month after 25 years of proud service in the accounting department at the Fine Arts Museums of San Francisco. Escobar moved to San Francisco in 1957 from Seattle, Washington where she lived and studied for two years after moving to the United States from Tokyo, Japan. She started her career in accounting at Foremost (McKesson). Escobar is a lover of music and a longtime performer with the Ina Chalis Opera Ensemble.
We would like to thank Frances for her service. She will be truly missed. We hope to see her around the de Young and Legion of Honor for years to come.
Yesterday morning FAMSF director John Buchanan and Musée d'Orsay president Guy Cogeval discussed the exhibition Birth of Impressionism: Masterpieces from the Musée d'Orsay, which opens at the de Young Museum tomorrow, May 22, 2010.
In case you missed what some commenters are calling "the best Forum episode ever", you can stil listen online. In fact, we've embedded it in this very blog post! You can access it after the jump.
Birth of Impressionism runs through September 6, 2010. Later on that month, the de Young will host a follow-up show, Van Gogh, Gaugin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d'Orsay. That exhibition opens September 26 and runs through January 18, 2010.
In celebration of the final days of Tutankhamun and the Golden Age of the Pharaohs, we present an interview with Alameda resident Peter Solmssen about his work with the original King Tut exhibition in the 1970s.
During that time, Mr. Solmssen served in the State Department as deputy ambassador-at-large for cultural affairs, and played an instrumental role in bringing Treasures of Tutanhkamun to the United States.
“Coming Through Slaughter changed my life.” That is the answer I received from a friend, writer and fan of Michael Ondaatje. To aspiring authors there is no greater admiration. My only experience with Ondaatje thus far had been with the film, The English Patient, based on Ondaatje’s brilliant and harrowing novel of love in the midst of World War II. As is often claimed, the book was better than the movie, an Academy Award-winning Best Picture often described as a masterpiece. Hard to believe, yet Ondaatje proved me wrong. Having written memoirs, books of poetry, and novels, he has proven himself to be an exceptional and versatile writer. And always, beneath the novelist, in the foundations and soul of his writing, lies a poet.
His latest work, Divisadero, tells the story of families torn apart. By this description from guest reviewer Jhumpa Lahiri, Ondaatje ascribes his trademark of taking a story and unfolding the layers and intricacies of life to reveal its true character. “Every sign of the author's genius is here: the searing imagery, the incandescent writing, the calm probing of life's most turbulent and devastating experiences,” explains Jhumpa Lahiri.
FAMSF presents Amish Abstractions: Quilts from the Collection of Faith and Stephen Brown in the Caroline and H. McCoy Jones Textile Gallery at the de Young. The exhibition, which runs through June 6, 2010, features 48 full-size and crib quilts that showcase the diversity of the Amish quilt tradition. As an exhibition supplement, the textile education gallery is devoted to quilts and visitors of all ages are invited to create their own quilt patterns using wooden blocks.
Martin Morububuna and Purago Marabe completed their one-month-long residency in the Kimball Artist Studio on November 1, 2009.
Martin created a vibrant mural showing Papua New Guinea as a panoramic collective of plants, animals, houses, boats, people and their bilas. Bilas is a word in Melanesian Tok Pisin that refers to the array of headdresses, necklaces, belts, armbands, and aprons that people use to adorn themselves for dance and ceremony. The mural expresses Martin’s wish for all people to honor the past and keep traditional values strong.