de Young

"It's a wrap" by Kim Shuck, June 2010 Artist-in-Residence

On the way past the bandshell I noticed that the puddle the squirrels were drinking out of yesterday had dried up. Fog all gone... It's quite hot actually.

 

 

More feathers.

 

 

The various animals didn't come around today. There were human visitors of varying sorts. I'm embarrassed to admit the major focus of the day. It wasn't profound. Mostly just feathers.

"I knew I'd miss Michael..." by Kim Shuck, June 2010 Artist-in-Residence

Another magical foggy day. This time with tomatoes and raspberries. Well, that and my first official day without Mr. Horse. I knew it was going to be difficult so I brought fruit. Fruit and Knopfler and Clapton... I also had Intern Extrordinaire Mlle. Megan. Bob the sitting ball was there too. Life could have been harder. Still... even with all of that and the buffalo hunt on the wall... it was slightly difficult. I'm a creature of habit.

"Inside the World of Michael Horse, June Artist-in-Residence" by Naomi Huth, Education Intern

On June 18th, during the Cultural Encounters evening event, I sat down with current artist-in-residence, Michael Horse, to find out more about his background and artistic influences. Born near Tucson, Horse is of Yaqui, Mescalero Apache, Zuni, European, and Hispanic descent and comes from an artistically talented family of jewelers, potters, and painters. Not only is he a talented jeweler and painter, but he is also an actor and stuntman who has appeared in many movies including Twin Peaks, Passenger 57, Lakota Woman, and Smoke Signals.

"The Comforting Summer Fog Arrives" by Kim Shuck, June Artist-in-Residence

Today had both frenetic and soothing aspects. I had breakfast with one of our amazing poets on the bill for Friday: devorah major, poet laureate of San Francisco emerita, amazing performer and above all friend. We ate frittata in Hayes Valley before making our way to the museum. THE FOG IS HERE. It must be summer, eh? Everyone celebrate. Anyhow, breakfast meant that instead of arriving two hours early, I got to the museum at my contracted time. As a result I missed a patron who had come to see me in particular, ah well.

Hugs all around by Kim Shuck, June Artist-in-Residence

You may be in for a fun day when you find a hawk feather coming in to work. You may be in for a fun day when your first visitor in the studio asks great questions and listens to the answers. It's been a fun day when a mom tells you that you 'made everyone happy' with some oil pastels and butcher paper (grinning kids and interesting drawings and all).

"Hot" by Kim Shuck, June Artist-in-Residence

We only had a very few folk in today, so we both got a good deal of work done and talked about bad Native themed movies. Well, we talked about different kinds of movies, but we talked most about what I call 'Bad Indian Movies'. These would be films with glaring cultural errors, stereotypes or other faux pas. It was a hoot.

How do we learn to do these things? by Kim Shuck, June Artist-in-Residence

After questions about my background, my religion and alternately about my inspiration and vision, the most commonly asked question I've had in the gallery so far is 'How did you learn to do this stuff?' I'm sure that other Native artists have other answers to that question but here is a bit of an answer for me. I use a number of different beading techniques in my work. In order of most to least common as of this week: bead applique, flat peyote stitch, flat round peyote stitch, cheyenne brick stitch and loomed beading. Now to take them utterly out of order...

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