de Young

Museums and Art Fairs: The Inside Story

Spring in San Francisco brings with it a season of art fairs, including artMRKT whose opening night preview reception this Thursday, May 16 benefits the Fine Arts Museums of San Francisco’s newly created New Acquisitions Fund. Featuring 70 galleries from around the globe, artMRKT provides a unique opportunity for museum professionals and art enthusiasts to gather, discuss, and view the world’s premier contemporary and modern art. This year, artMRKT includes a series of special lectures presented by several of our own curators, including Emma Acker, assistant curator of American art. We sat down with Ms. Acker to discuss the relationship between art fairs and museums, such as the de Young and the Legion of Honor.

Assistant curator of American art, Emma Acker

Emma Acker, assistant curator of American art

On the Hunt for Rembrandt

The special exhibition Rembrandt’s Century, closing on June 2, is remarkable not only for its breadth but also for the fact that it is drawn primarily from the Achenbach Foundation for Graphic Arts (AFGA), the works on paper department at the Fine Arts Museums of San Francisco. As curator Jim Ganz relates, this exhibition’s compilation required an epic treasure hunt through the Museums’ permanent collections, an endeavor that proved neither easy nor efficient, but was ultimately incredibly fruitful.

Rembrandt's Self-Portrait Drawing at a Window, 1648

Rembrandt van Rijn (Dutch, 1606–1669). Self-Portrait Drawing at a Window, 1648. Etching, drypoint, and engraving. Bruno and Sadie Adriani Collection. 1959.40.19

Stella!!!

Step into Gallery 14 at the de Young and you will immediately encounter the riot of geometric color that is Frank Stella’s impressive 12-foot-square painting, Lettre sur les aveugles II (1974). This vibrant new acquisition represents the first of Stella’s paintings to enter the permanent collection of the Fine Arts Museums of San Francisco.

Rescuing Memories: de Young Artist Fellow Lenora Lee

Lenora Lee is a dancer, a choreographer, and a current de Young Artist Fellow. As the artistic director of Lenora Lee Dance, she has created interdisciplinary performances that integrate dance, martial arts, video projection, music, and text. During her yearlong fellowship, Lee will complete two new performances, The Escape and Rescued Memories: New York Stories, both of which are inspired by stories of Chinese women who immigrated to the United States in the early 20th century.

Lenora Lee by Lei Chen

Photo by Lei Chen

Art: The Next Generation

It’s hard to believe that almost 20 years have passed since the de Young hosted the first student showcase. This week’s Friday Nights at the de Young features the 17th annual New Generations Student Showcase! This year’s theme, Everyday Worlds: Exteriors and Interiors, is inspired by the special exhibitions currently on view at the de Young, including Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, Eye Level in Iraq: Photographs by Kael Alford and Thorne Anderson, and Objects of belief from the Vatican: Art of Africa, Oceania, and the Americas.

Close looking

A Message from the President

Diane B. WilseyAs an extensive national search to find a new director draws to a close, we look forward to making a public announcement soon. As we prepare to embark on the next chapter of our long history it’s a good time to reflect on the amazing success we’ve experienced over the past several years.

The Fine Arts Museums of San Francisco (FAMSF)—which comprises the de Young and the Legion of Honor—is one of the most successful organizations of its kind in the world. We operate under the highest standards of governance. It is because of our high standards that we are a flourishing art institution that continues to exceed expectations both financially and artistically.

Our organization is among the largest and most respected art institutions in the country. Due to the efforts of our talented staff and dedicated Board of Trustees, we have been able to bring to San Francisco some extraordinary exhibitions such as:

  • Tutankhamun and the Golden Age of the Pharaohs
  • Birth of Impressionism: Masterpieces from the Musée d’Orsay
  • Van Gogh, Gauguin, Cézanne and Beyond: Post-Impressionist Masterpieces from the Musée d’Orsay
  • Girl with the Pearl Earring: Dutch Paintings from the Mauritshuis
  • And, coming in 2013, David Hockney: A Bigger Exhibition

Dutch Clouds, Past and Present

Conversation 6, a special exhibition on view at the San Francisco Arts Commission Main Gallery in the Civic Center through April 27, pairs Jason Hanasik, a local multimedia artist, with Berndnaut Smilde, an internationally recognized installation artist from Amsterdam. Today’s guest blogger Meg Shiffler is the director of the SFAC Galleries, and in this entry focuses on the work of Smilde and its relationship to paintings featured in the special exhibition Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis.

Smilde1

Berndnaut Smilde, Nimbus Munnekeholm, 2012

A Feast for the Eyes

Foodies and art aficionados alike can feast their eyes on delectable still lifes in the special exhibition Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis on view at the de Young through June 2. With the abundance of delicious artwork on view, it is only fitting that the de Young Café provides equally delicious food to satiate cravings experienced while inside the exhibition.

All’s Fair in Love and Art

In two weeks, Artist Fellows Andy Diaz Hope and Laurel Roth present the culminating exhibition of their yearlong fellowship featuring the display of their monumental tapestry triptych, The Conflicts. This Valentine’s Day, Hope and Roth share the secret behind their success in love and art.

Timeline of Cooperation

A Devil in the Details

The special exhibition Rembrandt’s Century, currently on view alongside Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis, is striking both in its breadth and for the fact that the works on view all come from the Fine Arts Museums’ permanent collections. Preparations for this exhibition were lengthy, with some works requiring restoration treatments.

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