After Six-Sided Planes received its makeover in the paintings conservation lab, it was transported to the Legion of Honor for review during the full Board meeting (there are several sub-committee Board meetings that take place throughout the year).
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature the iconic Boatmen on the MIssouri by George Caleb Bingham, currently on view in Gallery 23 at the de Young.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we take you into the graphic design department, where all of the visual material associated with the Museums (except the art, of course) is created. Originally from Columbus, Ohio, Brandon Ballog is a junior graphic designer who has been with the Museums for almost three years.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a spectacular obsidian ceremonial knife from Mesoamerica on display at the de Young.
Last week Balcomb Greene’s Six-Sided Planes made its first entry into the Museums and the acquisitions process via the registration department. This week, the painting heads upstairs to the paintings conservation lab for a little makeover.
My name is Elise Effmann and I’m an associate paintings conservator at the Fine Arts Museums. Conservators are entrusted with the care, treatment and technical study of artworks in the collection. When a painting comes to the Museums as a proposed acquisition, our department must examine it to provide the curators with information about how it was made, and to determine if there are any potential problems with the acquisition due to its condition.
Picasso was perhaps the greatest innovator of twentieth-century art. The power of Picasso’s invention, however, was deeply influenced by sources from across the art historical spectrum. Chief among these was African art. Drawing upon myriad stylistic resources, Picasso created new modes of expression. The development of this multifaceted artistry is illustrated in several works featured in Picasso: Masterpieces from the Musée National Picasso, Paris at the de Young through October 9.
For the last several months, Textile Conservation volunteers Kathy Murphy, Jean Scardina, intern Erica Storm and Objects Conservation volunteer Tegan Broderick have all been hard at work making covers for the furniture stored at the Legion of Honor. While most of the chairs were already stored beneath loose-fitting pieces of cloth, custom covers provide the objects with better protection from light and dust. Clearly labeled covers also facilitate quick identification of the objects underneath and prevent unnecessary handling.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, we feature a powerful lithograph created by the formidable Frida Kahlo. This work is currently not on view, so we have provided this exclusive virtual viewing!
Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, June 24, Public Programs presents Picasso, Our Contemporary by Dakin Hart in conjunction with Picasso: Masterpieces from the Musée National Picasso, Paris. Hart will discuss elements of Picasso's life and practice after World War II that suggest he may have become interested in what has come to be recognized as contemporary art practice, such as identity performance, the use of sculpture as a bridge between art and life and frank treatments of sex. Dakin Hart began his museum career as assistant to the director of the Fine Arts Museums of San Francisco and is currently working as an independent curator and writer in New York while finishing his Ph.D. at the Institute of Fine Arts.
Mr. Hart has graciously answered a few questions for us in preparation for this intriguing lecture!
Every piece of art in the Museums has a history. Whether an artwork has a long and storied past or was recently created by a living artist, its journey doesn’t end when it arrives on our doorstep.
This is the first in a series of posts that will follow a single work of art, Balcomb Greene’s painting Six-Sided Planes, as it moves through the Museums on its way to exhibition. Greene was an artist and intellectual, a founding member of the American Abstract Artists, and a leading writer and proponent of abstraction.
We will follow the painting’s progress from its first entrance into the Museums via the registration department, through the conservation and curatorial review, onto the process of approval by the Board of Trustees, and finally the public display of the painting in the galleries.
Our first stop is the registration department, where the painting is first received and stored: