Last week marked the close of Friday Nights at the de Young's season seven. We sat down with public programs director Renee Baldocchi to reflect on the past successes of Friday Nights at the de Young and to learn about what’s in store for the future, including upcoming programming for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.
I’m Julian Cox, chief curator at the de Young, and tonight we are very excited to present the world premiere of FAM BAM, a new film by Artist Fellow Kevin Epps. The film will be shown in two back-to-back screenings in the Koret Auditorium at 6:30 and 7:10 p.m. Immediately following the second screening, there will be a question-and-answer session with Epps, during which he will share insight into his creative process and describe how he has used his time as an Artist Fellow to develop his ideas for this latest project.
This week, Epps and I sat down to talk a little about his background and how archives and material culture infuse his work in film.
November 25, 2011
This week we celebrate Thanksgiving and the beginning of the holiday season when we reflect on what we value most in life: family. Family is also the focus of Artist Fellow Kevin Epps’s documentary Fam Bam, which critically examines the structure of the black family in America and premieres this Friday Night at the de Young.
In keeping with this theme, the final Friday Night of the season will host a San Francisco family reunion, de Young style. Share the de Young with your loved ones by taking this self-guided tour through the permanent collection to see how artists from around the world and throughout history have depicted the age-old subject of family.
Start your tour in Gallery 12 just off of Wilsey Court, where you will enter the mysterious world of Ralph Eugene Meatyard: Masks and Dolls. Meatyard's family, although often masked, served as the primary model for the photographer. Focusing on childhood and familial relationships, Meatyard sought to reveal the emotional reality of universal experiences.
November 25, 2011
Campo Santo, de Young Artist Fellow and award-winning resident theater company of Intersection for the Arts premieres Block by Block: The Pura Principle, its newest theatrical work, in the de Young's Koret Auditorium on November 17, 18, and 19. The performance is based on recent short stories and original writings by Pulitzer Prize-winning author Junot Díaz.
Block by Block brings back to the stage Díaz’s wild and beautiful voice. Sean San José, theater director for Campo Santo, has adapted Diaz’s writings to life in our city, bringing a multimedia San Francisco block party to the de Young.
Audiences will be taken on a journey through San Francisco, block by block. Actors, dancers, and musicians interpret six neighborhoods–downtown, the Fillmore, the Excelsior, Hunters Point, the Mission, and the Castro–in vignettes reflecting the unique rituals found in each of these culturally rich neighborhoods. Experience DJ battles with Felonious; dance-offs with Nicole Klaymoon and the Embodiment Project; the murals of the Mission with projected visuals created by acclaimed artists Favianna Rodriguez, Evan Bissell, and Ricardo Richey; the urban life and writings of Junot Díaz with the Campo Santo Street Team and DJ Wonway; and Susie Lund, who transports you with Subway Strutting to Carnaval.
Watch a preview here.
How did we arrive at this place? We spoke with director Sean San José to take a deeper look at the inspiration and creative process behind Block by Block.
November 14, 2011
The academic tradition of learning to draw by imitating the works of established masters has been alive for centuries. Professor Rick Rodrigues has been bringing this rich tradition the Fine Arts Museums of San Francisco since 1995, when he initiated a partnership between the City College of San Francisco and the Museums. Professor Rodrigues's drawing classes cover a variety of skills and techniques, ranging from basic life-drawing using models and tone-drawing to more obscure old-master techniques, such as silverpoint drawing or staining with tea or coffee. His much-beloved classes are a deeply fulfilling experience, giving young artists the opportunity to learn from art history's old masters directly in the museum setting.
Visitors are always welcome to sketch in the Museums' permanent collection galleries. Sketching in special exhibition galleries is by permission only and subject to lender and gallery restrictions. Please see our museum policies for more information.
Education intern Megan Friel recently sat down with Professor Rodrigues, who is still passionately committed to the academic tradition of museum drawing after 16 years of teaching, to discuss his experiences directing the program.
September 1, 2011
In anticipation of The Art of the Anatolian Kilim: Highlights from the McCoy Jones Collection (which opens September 10) the Textiles Conservation team is busy at work preparing each rug for display. It is a meticulous and time-consuming process!
First, the kilims have to be taken out of storage. Normal cardboard contains acid that can cause staining on textiles, which is why kilims are rolled onto blue, acid-free cardboard tubes for storage.To avoid harm from dust, the tubes are shrouded in unbleached cotton fabric.
August 18, 2011
July 15, 2011
For the last several months, Textile Conservation volunteers Kathy Murphy, Jean Scardina, intern Erica Storm and Objects Conservation volunteer Tegan Broderick have all been hard at work making covers for the furniture stored at the Legion of Honor. While most of the chairs were already stored beneath loose-fitting pieces of cloth, custom covers provide the objects with better protection from light and dust. Clearly labeled covers also facilitate quick identification of the objects underneath and prevent unnecessary handling.
June 23, 2011
May 17, 2011
In 2009, senior registrar Stephen Lockwood came across a series of ledger books while examining the de Young’s offsite storage facility. These antique books contained detailed records of the weather and daily attendance at the de Young since its opening day in 1895. One entry was particularly interesting: