Today's guest blogger is 2011 de Young Artist Fellow Kevin Epps, whose film Fam Bam had its world premiere at the de Young last fall. As part of the Museums’ goal to continue its relationships with Artist Fellows and their collaborating partners–in this case the African American Art and Culture Complex–Epps will curate a two-part Filmmaker’s Lounge series featuring movies by local filmmakers.To celebrate Black History Month, Epps has selected films that draw from his memories of growing up in San Francisco’s African American community. The series kicks off this Saturday, February 4 with Which Way is Up?, starring Richard Pryor.
Matter + Spirit: The Sculpture of Stephen De Staebler , currently on view at the de Young, presents a retrospective of the artist’s work. This week’s FRAME | WORK draws attention to De Staebler’s mentor, Peter Voulkos. A renowned sculptor and teacher, Voulkos was hugely influential
In continuation of our series Museum Without Walls, we visited Todd T. Brown’s studio as he prepares for his final exhibition as an Artist Fellow at the de Young. Inheritance and Dreams will be on display in the Kimball Education Gallery February 1–12.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature a classic photograph by Pierre Dubreuil. If you missed Eléphantaisie when it was on view in Impressionist Paris: City of Light, you will no doubt enjoy this virtual viewing.
Matter + Spirit: The Sculpture of Stephen De Staebler presents the work of an artist who used a variety of materials ranging from metal to clay to create lasting works of art. Working with stoneware and sometimes porcelain, De Staebler built monumental sculptures that pushed the limits of the media and extended the boundaries of how these materials had been used in the past.
The British Aesthetic Movement, which is the subject of the upcoming exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 opening at the Legion of Honor on February 18, promoted the integration of beauty and art into every aspect of life. William Morris (1834–1896) was a chief proponent of the Aesthetic Movement and contributed luxe designs for wallpaper, carpets, tiles, and furniture. His career as a textiles designer, however, quickly surpassed his involvement with all other areas of artistic production.
This month in the Artist Studio, glass artist Dana Zed is drawing museum goers into her world of mirrors and reflection. Including the public in the process of art making is integral to the mission of the Artist in Residence program, but working within the Kimball Education Gallery and with the public often results in surprising collaborations, as Zed has discovered.
Posted by guest blogger Dana Zed.
This month, the de Young begins its second installment of the Artist Fellows program, which brings working artists from a variety of disciplines into the museum for a year. During this year, Artist Fellows will break open their art process by exhibiting works-in-progress and investigating new avenues of creativity through collaboration with the museum, partner institutions and other artists.
Each artist is associated with a collaborating institutional partner, an aspect of the program specifically designed to encourage museum engagement with local, community based arts organizations. Working both within and without the walls, the Artist Fellows will inhabit a new kind of museum, one without walls. In celebration of this next phase of the Artist Fellows program, we will focus on these extra-museum collaborations in a blog series called Museum Without Walls.
The New Year presents a much-needed opportunity for reflection and renewal. Looking towards the future, New Year’s resolutions often promise some variation of transformation as we aim to improve ourselves and our lives. Transformation is also the focus of this week’s FRAME|WORK, which features Susie Silook’s Sedna with Mask. This artwork is currently on display in the Art of the Americas gallery at the de Young.