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FRAME|WORK: The Gold Scab: Eruption in Frilthy Lucre (The Creditor) by James McNeill Whistler

Although the special exhibition The Cult of Beauty: The Victorian Avant-Garde 1860–1900 (on view at the Legion of Honor through June 17) primarily features art by English artists, the impact of American expatriate James McNeill Whistler cannot be ignored. Whistler is best known for his subdued but complicated portraits—such as the world-famous Arrangement in Gray and Black No. 1 or “Whistler’s Mother”—but today’s FRAME|WORK highlights a rather unusual painting by this American in England. The Gold Scab: Eruption in Frilthy Lucre (The Creditor) is in the permanent collection of the de Young but is currently on view as a part of The Cult of Beauty

Frilthy Lucre

James Abbott McNeill Whistler (American, 1834–1903). The Gold Scab: Eruption in Frilthy Lucre (The Creditor), 1879. Oil on canvas. Gift of Mrs. Alma de Bretteville Spreckels through the Patrons of Art and Music. 1977.11

Jazz at the de Young

Seven years ago, the de Young hosted its first jazz performance in partnership with Intersection for the Arts. Jazz at Intersection at the de Young came about through my relationship with Kevin Chen of Intersection for the Arts. Together we invited a wide range of local jazz composers and musicians to create and perform music inspired by the museum’s special exhibitions and permanent collection.

The Wild Woman of Jazz

Composer, trumpeter and singer-songwriter Sarah Wilson technically grew up in a vineyard, but her coming of age as a musician took place in New York City. At her first performance as an Artist Fellow at the de Young tomorrow, Friday, May 25, Wilson presents new work inspired by both the rolling hills of the Napa Valley and New York City’s wild women of jazz.

Wilson began her yearlong fellowship last November with a 10-day residency at Stags’ Leap Winery, where the vineyards—their colors and moods—served as muse for the new compositions Night Still and Color, both of which will be featured in tomorrow’s performance.

Stags' Leap

Photo by Sarah Wilson

FRAME|WORK: Mrs. Robert S. Cassatt, the Artist's Mother by Mary Cassatt

In celebration of Mary Cassatt’s birthday yesterday, this week’s FRAME|WORK—a weekly blog series highlighting an artwork in the Museums’ permanent collection—features the artist’s penetrating portrait of her mother, Mrs. Robert S. Cassatt, the Artist’s Mother (ca. 1889). This painting is currently on view in Gallery 28 at the de Young.

Mrs. Robert S. Cassatt

Mary Cassatt (American, 1844–1926). Mrs. Robert S. Cassatt, the Artist's Mother, ca. 1889. Oil on canvas. Museum purchase, William H. Noble Bequest Fund. 1979.35

Conservation in 3D: Skype, Stereographs and Silicon

Recently one of the Museums’ most generous supporters, Dorothy Saxe, purchased a sculpture for the collection in memory of our late director John E. Buchanan. Created by contemporary glass artist Beth Lipman, Candlesticks, Books, Flowers and Fruit (2010) is a complex compilation of multiple elements balanced precariously on a table. My role as an objects conservator is to ensure that all the elements of this fragile sculpture are installed safely and in keeping with the artist’s original intent.

Behind the Scenes at the Opening Night of artMRKT

For the past week, Max Fishko and company have been tirelessly converting the Concourse Exhibition Center from a cavernous abandoned train depot into artMRKT, San Francisco’s premier contemporary art venue. Tonight’s exclusive preview benefits the de Young and the Legion of Honor, so we thought we’d take you inside for a behind-the-scenes look at this remarkable transformation.

FRAME|WORK: The Salon Doré at the Legion of Honor

FRAME|WORK is a weekly blog series highlighting an artwork in the Museums’ permanent collection. This week, we feature an unusual treasure in the Legion of Honor—it is unusual because it’s not a painting or a sculpture, but rather an entire room. The Salon Doré, an 18th-century French period room, is currently on view.

Carrie Cottini Will Work for Art!

We are happy to announce the return of Will Work for Art, a series of interviews featuring the incredibly diverse group of people who work here at the Fine Arts Museums! This week, we introduce you to Carrie Cottini, the acting member council administrator. Originally from Sacramento, Carrie has been with the Museums for four years as of this week. Happy anniversary, Carrie!

Carrie Cottini

A Conversation with Max Fishko

Next week the city of San Francisco will be flooded with art dealers and collectors, all clamoring to see the newest and brightest at the second annual artMRKT contemporary and modern art fair. The event’s opening festivities kick off this Thursday, May 17 and feature a preview reception benefiting the de Young and the Legion of Honor museums.

We recently sat down with artMRKT co-founder Max Fishko, a third-generation gallerist from New York City, to get his take on the contemporary art scene at large and in San Francisco.

Max Fishko

Max Fishko, co-founder of artMRKT

Music, Muses and Divas in the Art of the Victorian Avant-Garde

Tomorrow, May 12, 2012, the Legion of Honor presents Music, Muses and Divas , public programs associated with The Cult of Beauty: The Victorian Avant-Garde, 1860–1900 (on view through June 17). Premier scholars of Victorian art Tim Barringer and Peter Trippi lecture on the complmentary topics of music and theater in the context of the Aesthetic Movement. We asked our lecturers a few questions about their respective talks to provide insight into the day’s presentations.

Saint Cecilia

John William Waterhouse, Saint Cecilia, 1895, oil on canvas. Private Collection

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