Last week, the Legion of Honor received a special visit from Berkeley High School’s Latin class. This group of thirty-seven seniors took time out of the final, hectic days of high school to see Marvelous Menagerie: A Roman Mosaic from Lod, Israel, which has served as their muse for the past several weeks.
Friday Nights at the de Young feature special lectures related to current exhibitions at the de Young. This Friday, June 24, Public Programs presents Picasso, Our Contemporary by Dakin Hart in conjunction with Picasso: Masterpieces from the Musée National Picasso, Paris. Hart will discuss elements of Picasso's life and practice after World War II that suggest he may have become interested in what has come to be recognized as contemporary art practice, such as identity performance, the use of sculpture as a bridge between art and life and frank treatments of sex. Dakin Hart began his museum career as assistant to the director of the Fine Arts Museums of San Francisco and is currently working as an independent curator and writer in New York while finishing his Ph.D. at the Institute of Fine Arts.
Mr. Hart has graciously answered a few questions for us in preparation for this intriguing lecture!
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums work. This week we feature a member of the frontline. Clara Hatcher works as the de Young receptionist and supports the visitor services and marketing departments. Originally from Ithaca, New York, Clara has been with the Museums for three years.
FRAME|WORK is a weekly blog series that highlights an artwork in the Museums' permanent collections. This week, a painting by Honorè Daumier depicts an activity with which we are all too familiar: the commute. Third Class Carriage (Un Wagon de Troissieme Classe) is currently on display at the Legion of Honor in Gallery 17.
"Will Work for Art" takes you behind the scenes to meet the people who make the Fine Arts Museums operate. Steven F. Correll is a Registrar who literally makes the "scene" possible by organizing and tracking artwork as it moves through the Museums. Originally from San Diego, CA and Ponca City, OK, Steve has been with the Museums for 4 years.
FRAME|WORK is a new weekly blog series that highlights an artwork in the Museums' permanent collections. This week we feature a landscape painted by one of our marquee artists, Wayne Thiebaud.
It is with great sadness that the Fine Arts Museums of San Francisco mourn the passing of Merle Greene Robertson. A legend in the world of Mesoamerican studies and Maya epigraphy, Robertson has been a friend and consultant to the Museums for decades. She generously donated many of her unique rubbings made from the monuments of Chichen Itza, a large Maya center that flourished on the Yucatan Peninsula of Mexico after AD 800. These rubbings provide clear renderings of detailed Maya stone carvings and are an important aspect of the Museums' Mesoamerican holdings.
This summer, make your kid an artist—join us for art camp at the de Young Museum!